第37季第22集 PBS继续为你带来一个意大利人寻找美国妻子的故事.....本期主持Mick Jagger，烦恼于每次都被问到同样的问题，Mick这次在现场一次性回答了所有的问题，包括他最喜欢的当代乐队。Mick和同事们一起去唱歌，却不敢上台，眼睁睁看着台上的人模仿Mick Jagger博得女同事欢心，孤独的他只能独唱《I can't get no satisfation》......本期音乐嘉宾是Mick Jagger和Foo Fighters、Arcade Fire还有Jeff Beck。同时本期节目也是送别Kristen Wiig和Andy Samberg的告别演出。

8 December 2001 (Season 27, Episode 8)

Marianne Faithfull has seen it all: success and celebrity at 17 years of age in Swinging London, life with Mick Jagger through the tumultuous Rolling Stones epic, scandal, drugs, addiction and decline, life in the street and then rebirth, awards and artistic recognition. Actress and director Sandrine Bonnaire tells her incredible journey, her thousand lives, her encounters with the greats and her extraordinary lifetime.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

For the first time ever in their 50 year long career, The Rolling Stones played in Havana, the capital of Cuba. The movie shows how music can work as tool of social improvement.

A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

A behind-the-scenes documentary about the recording of Aretha Franklin's best-selling album finally sees the light of day more than four decades after the original footage was shot.

In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.

【音樂啟示錄 MUSIC APOCALYPSE】 2017 哥特堡影展 / 2016 多倫多影展 / 2016 阿姆斯特丹紀錄片影展 導演 Director 保羅杜格戴爾 Paul DUGDALE 滾石樂團闊別多年後再度以靈魂人物米克傑格、基斯理查為首的四人編制，揚起招牌叛逆的紅舌圖騰，展開為期數月的南美巡演。旅途長征阿根廷、巴拉圭、秘魯、巴西和墨西哥等地，並將終點放在古巴首都哈瓦那：一個曾經會因為持有滾石唱片遭到逮捕的國度。樂團成軍後首度踏上古巴國土，卻碰上美國總統睽違八十八年後訪古的大日子，古巴政府頭大，演唱會也碰上種種難題⋯⋯。 曾多次入圍葛萊美獎的音樂紀錄片導演保羅杜格戴爾，以公路電影般的形式，貼身記述了萬千樂迷一生一次的永恆片刻、拜訪在地拉丁樂手與原住民傳統音樂，和滾石團員一期一會的即興激盪。影片以色彩繽紛的畫面描述異國表象，卻剛好碰到古巴面臨內外開放、百廢待舉的衝突，雖無任何批判意圖，但表現出來的天下太平更叫人唏噓。滾石一代天團寶刀未老的舞台魅力與永不止息的時代精神，也在本片中見證歷歷。

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

Live Aid was a dual-venue concert that was held on 13 July 1985. The event was organized by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the "global jukebox", the event was held simultaneously in Wembley Stadium in London, England, United Kingdom (attended by 72,000 people) and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States (attended by about 100,000 people). On the same day, concerts inspired by the initiative happened in other countries, such as Australia and Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time: an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast.[2

Set list: 1) Start Me Up 2) It s Only Rock n Roll 3) Street Fighting Man 4) Ruby Tuesday 5) Doom And Gloom 6) Honky Tonk Women 7) You Got The Silver 8) Happy 9) Miss You 10) Midnight Rambler 11) Gimme Shelter 1 2) Jumpin Jack Flash 13) Sympathy For The Devil 14) Brown Sugar Encore: 15) You Can't Always Get What You Want 16) (I Can't Get No) Satisfaction

辛普森一家是来自美国普通的五口之家，荷马（丹•卡斯泰兰尼塔 Dan Castellaneta 配音）是春田镇核能工厂的安全检查员，母亲马芝（朱莉•卡夫娜 Julie Kavner 配音）曾经是一个很有思想的女性，自从嫁给荷马后渐渐地适应了主妇生活的定式。巴特（南茜•卡特莱特 Nancy Cartwright 配音）是家中的长子，天性顽皮的巴特经常爱玩一些恶作剧，以至于经常惹麻烦。妹妹丽莎（雅德丽•史密斯 Yeardley Smith 配音）是一个很聪明的孩子，同时还是素食主义者，佛教徒，爵士乐。小女马姬是一个永远长不大的孩子。故事设定于虚构小镇春田镇，从许多角度对美国的文化与社会、人的条件和电视本身进行了幽默的嘲讽，经久不衰。 《辛普森一家》（The Simpsons）是美国福克斯广播公司的一部动画情景喜剧，作为美国历史上最长寿的情景喜剧及动画节目，《辛普森一家》对流行文化产生了极大的影响，也赢取了大量的奖项，更是被《时代》周刊等权威刊物评为90年代最优秀的情景喜剧。

本集以极大的篇幅让观众重返1960年代的美国社会，体验1060年代末期摇滚乐反传统次文化的兴衰。当时的美国不仅反政府也反战，整个社会有着相当反体制的情绪，这个风潮不但反映在电影如《我俩没有明天》、《午夜牛郎》等名片中，也反映在最有普及性和流行性的音乐创作上。其中最为人所津津乐道的便是1969年8月在纽约州的小镇上举办数十万人次的音乐盛会——Woodstock音乐节，这个音乐节完全的反应当时社会的氛围，以及人民的复杂情绪。 此外还可以欣赏到The Grateful Dead、山塔那及Jefferson Airplane同台演出，Janice Joplin、Big Brother和The Holding Company一块热情演唱Ball and Chain，并重温Woodstock的盛况。

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.