Joe, inventor in an American Small town of 1895 has problems with his new invention, a car, driven with a gasoline motor. Everybody is making fun about his "crazy invention", only his girl friend believes in him. When he's halfway successful, another woman tries to win his heart, and his girl-friend thinks he has quit with her. But on a race for those new horse-less vehicles, he gets in trouble and only his former girl friend is able to help him.

In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.

Student filmmaker lets nothing stand in the way of his getting a studio contract.

Meg is a young wide-eyed girl who is endures many calamities in her search for a husband in modern-day New York. After losing her suitcase at Penn Station, being kicked out by her roommate, and changing bosses because her boss made a pass at her, she finds herself looking for work at a Manhattan motivational research agency run by punctilious Miles Doughton and his playboy brother, Evan.

Snooty opera singer meets a rough-and-tumble fisherman in the Louisiana bayous, but this fisherman can sing! Her agent lures him away to New Orleans to teach him to sing opera but comes to regret this rash decision when the singers fall in love.

Lt. Fergie Howard teams up with Lt. Beau Gilliam and Navy scientist Jason Eldridge to turn a supercomputer with missile-tracking capabilities into a tool to predict where a roulette ball will land. They dock in Venice, Italy, and begin making a killing at the casino, but their shore-to-ship signals get misinterpreted as signs of attack by Adm. Fitch, putting a serious crimp in the officers' get-rich-quick scheme.

Good girls Merritt, Melanie, Tuggle and Angie - all students at mid-western Penmore University - are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.

Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk, and Melvin soon offers to do a photo spread of her. His boss, however, has no intention of using the photos. Melvin wants to marry Judy, but her father would rather she marry dull and dependable Harry Black. As a last resort, Melvin promises to get Judy's photo on the cover of the next issue of Look, a task easier said than done.

The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie. Written by A.L.Beneteau

As a favor to her actress sister Abigail, New England farmer Jane Falbury allows a group of actors use her barn as a theater for their play. In return, the cast and crew have to help her with the farm chores. During rehearsals, Jane finds herself falling for the show's director, Joe Ross, who also happens to be engaged to the show's leading lady-- Abigail.

A sportswriter who marries a fashion designer discovers that their mutual interests are few, although each has an intriguing past which makes the other jealous.

Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realised that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him decide to get a better reputation. But mob king Rico Angelo insists that he continues his services.

A film that might be regarded as Nicholas Ray's farewell to Hollywood (if not commercial filmmaking), as well as his tribute to Chicago in 20s, this 1958 feature is also one of his most affecting love stories. An unlikely alliance between a crippled and crooked lawyer (Robert Taylor) and a dancing showgirl (Cyd Charisse), both of whom try to escape the power of a tyrannical mobster (Lee J. Cobb), forms the basis for a flamboyant poem in delirious color and scope that is treated with a mixture of violence and lyricism that is unique to Ray.

在《阿飛正傳》愛過、痛過、反叛過之後，尼古拉斯．雷執導了。這部被喻為他最具感染力的愛情電影。二十年代的芝加哥，瘸腿律師（羅伯特．泰勒）遇上美艷舞孃（賽德．查里斯）……兩個本來不可能遇上的人，卻因為要逃避一個黑幫惡漢（李科布）而情牽一線。尼古拉斯．雷在這部一九五八年黑色電影中，繼續發揮他的看家本領，把浮誇色彩、浪漫意境及詩意暴力共冶一爐，叫人看得嘖嘖稱奇。影片更影響了日後的美國黑幫電影，哥普拉的《教父》和狄龐馬的《義膽雄心》都難免有《派對女郎》的影子。