Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

The movie is inspired by writer-director Márta Mészáros' own childhood. The film is a grim reminder of horrible days under Stalinist period when several innocent people were persecuted for no fault. A good film which allow people to know how people in Europe were tortured before second world war by dictators and authoritarian regimes.

Imre Nagy led Hungary's 1956 revolution and was executed after its defeat. His name remained taboo for some 30 years, his political activity the subject of controversy and heated debate – up until his complete personal rehabilitation and that of his political legacy. THE UNBURIED MAN was among the first gestures to pay tribute to him and grant him a public “appearance”. The film, however, is not set in the tumultuous days of the revolution but instead depicts the last period of Nagy’s life, from his time inside his refuge at the Yugoslav Embassy up to his secret execution, in what proves to be a singularly intimate encounter with a key personality of 20th-century European history.

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

Juli moves to the big city in order to take up a job in a factory, and on the very same day the foreman János asks her to marry him. Alas, communication between the two is rough going from the very start – their visions of how life together is supposed to look divide them. János can’t find it in his heart to accept Juli’s yearning for independence or her past. In raw images that portend an almost predetermined conclusion with their social-realist tone, the film shows Juli’s resistance with all of its consequences – she decides to have her baby all on her own. In the end, we witness the actual delivery of Juli’s (in reality of course actress Lili Monori’s) child, the first birth to be shown in a film in Europe. Nine Months was honoured with the Fipresci Prize (Parallel Sections) in Cannes in 1977. Since my first film « Cati », I have been obstinately inquiring about women with well defined personalities, able to make decisions in an independent manner, although at that time « feminism » was not really in vogue. It has now become so. The heroine of my film is one of these women. She is lucid, self-relying, and responsible. She tells the man who loves her that he must accept her as she is, with her past life, her experiences, her already formed personality. - Marta MESZAROS

Savanyú and his friend work at a plant. After the monotonous shifts they engage in the pleasures of the afternoon and the night, i.e. parties and concerts. Savanyú dates Juli, they are already engaged. The young men live as sub-tenants, the young women in workers' hostels. None of these places are suited for spending time together. They are in need of an apartment. Out of the ruinous apartment which they lay siege on, however, they are sent away by the otherwise friendly policeman. At a concert held in the Park of Youth, Juli gets to know Géza. They flirt, then go to the country with a pop-group. Savanyú and his friends follow them. A minor fight cools the atmosphere.

1968 film directed by Márta Mészáros

1969 film directed by Márta Mészáros

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.