An entirely ordinary day on the beds ward of a surgical department. The nursing team is understaffed due to a shortage of personnel. Despite the hectic environment, Floria cares for her patients with expertise and full dedication. Although she gives her all, the shift gradually spirals out of control – until it eventually leads to a dramatic outburst.

公車總站裡，老奶奶看著往來人群，等待坐上那班永遠離開的公車。強烈的 導演風格加上巧妙的框架取景，將影片凝煉出惶恐幽閉與疏離氛圍，車站不 過是陌生人間，分享短暫親密與錯身之處。

27岁的罗马尼亚雕塑家康斯坦丁·布朗库西(Constantin Brancusi)在1903年与1904年从布加勒斯特走向巴黎，作为将来成为二十世纪最重要的雕塑家的前奏，布朗库西离开喀尔巴阡山脉南部的小村庄霍比塔(Hobita)，徒步1200英里穿越罗马尼亚、匈牙利、奥地利、德国与瑞士，最终抵达巴黎这座二十世纪头三十年的世界文化大都会。他行经春夏冬秋，远离寻常风景，勇于冒险，忍受苦痛，去看，去触摸，去感受这个世界，为即将到来的一切做准备。

An intricate psychological ode to simmering emotion amid unfettered separation anxiety, which took home a FIPRESCI Prize and Best Director award from the Berlinale’s Encounters competition.
Lisa is moving into a new apartment, leaving former flatmates Mara and Markus adrift. Mara, in particular, struggles with the change. While everyone else pitches in to help Lisa set up her new home, Mara moons about, mostly just getting in the way. At one point, she even makes a joke about being a ghost – and, as she continues to haunt Lisa’s life, her yearning for things to remain the same becomes infectious.
The second film in Ramon and Silvan Zürcher’s loose trilogy about human togetherness follows their award-winning feature debut, The Strange Little Cat, in building a lingering claustrophobic tension hemmed in by four walls. As extended family members, neighbours, handymen and hangers-on pass in and out of the two flats, a palpable undercurrent of sexual desire and jealously fills the frame, and an increasingly chaotic whirl of ambiguity – underscored by Eugen Doga’s Gramofon waltz – threatens to tear it all apart. As a cinematic madrigal on the nature of impermanence, The Girl and the Spider is a unique work of taut, existential distinction.
“A powerfully choreographed exploration of alienation … told through an uncompromisingly original, tantalizing and opaque narrative that curiously moves like a dancer.” – High on Films