A film based on a Tolstoy novel about naïveté, idealism and love facing harsh reality.

Takes place on an ocean liner from Canada to Poland. It is a story of several people with pasts and problems stemming from uncomfortable confrontations. The main confrontation is between a Polish doctor with a heart condition meeting a man he knew before. Neither of them was willing to admit their differences from the college days. The meeting torments the doctor enough to start him drinking and dying of a heart attack.

Roza (Lucyna Winnicka) marries a promising young architect, Juliusz (Roland Glowacki); for a few months, they have a blissful life together. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Roza abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Roza starts to care for him, but her feelings slowly are transformed into a kind of revulsion. Kawalerowicz here takes up a theme that would be frequently addressed by later Polish films: the lingering psychological and emotional scars wrought by the war, a kind of weight from the past impeding the creation of any kind of future.

片名：旅店/客栈 Austeria 编导：耶日·卡瓦莱罗维奇 Jerzy Kawalerowicz 主演： 弗朗齐歇克·皮耶奇卡 Franciszek Pieczka 沃伊切赫·普绍尼亚克 Wojciech Pszoniak 扬·舒尔梅伊 Jan Szurmiej 索菲娅·巴尤克 Zofia Bajuk 埃娃·多曼斯卡 Ewa Domańska 莉莉亚娜·格翁布琴斯卡 Liliana Głąbczyńska 米罗斯瓦娃·隆隆巴尔多 Mirosława Lombardo 海伦娜·科瓦尔斯卡 Helena Kowalska 戈乌达·滕采尔 Gołda Tencer 索菲娅·萨雷托克 Zofia Saretok 埃尔内斯蒂娜·温尼茨卡 Ernestyna Winnicka 梅奇斯瓦夫·布拉姆 Mieczysław Bram 米哈乌·比亚乌科维奇 Michał Białkowicz 亚当·恰尔科 Adam Czarko 塞韦伦·达莱茨基 Seweryn Dalecki 扬·亨奇 Jan Hencz 希蒙·赫尔曼 Szymon Herman 片长：102分钟 类型：剧情 出品：波兰 语言：波兰语 发行年代：1983 剧情简介： 影片改编自犹太裔波兰左翼作家、剧作家和著名记者尤利安·斯特雷伊科夫斯基（Julian Stryjkowski；1905年4月27日~1996年8月8日）发表于1966年的同名小说。影片试图阐述20世纪人类最大的灾难从某种意义上来说，并不是第二次世界大战而是第一次世界大战。它是人类历史的转折点，人类自此开始在黑暗中成长，尊严和友谊将永远不会回来，这不仅仅只对犹太民族而言。 第一次世界大战前夕。奥匈帝国吞并下内莱塔尼亚的加利西亚（乌克兰语：Галичина；波兰语：Galicja；俄语：Галиция。是中欧历史上的一个地区名。原来被称为加利西亚的地区现在分别属于乌克兰和波兰）。波兰人、乌克兰人和犹太人这三种不同国籍的人共住在此地区。聪明的犹太老人塔格Tag（弗朗齐歇克·皮耶奇卡饰）在马斯泰奇卡赫村庄经营着一间路边乡村旅店。邻近的村庄已被犹太人遗弃，因为哥萨克人将要进驻。很快这间乡村旅店在炮火声中挤满了落难的犹太人。他们中有圣徒、哲学家、商人、叛逆青年、妇女甚至是开放的女人，此外还有一名逃亡的奥地利男爵夫人和一位被军队开除的奥匈轻骑兵。塔格充当起他们的保护人来，不愿将他们移交给交战各方，想方设法创造条件让他们欢欣鼓舞地感谢上帝赐予的充实一天。然而，这不是一个普通的日子，而是和这个世界说再见的时候，是一个完全不同时代即将到来的日子，因为他们周围的世界已经着火了...... 影片截图：

The content of the film are going Narutowicz choice as the first President of the Second Republic and the circumstances that led to his tragic death. Critics have compared the song's "Pharaoh" to specific dossiers. Made up facts were not that sinister finale became a successful attack on Narutowicz. Kawalerowicz appeared in the role of the chronicler, prosecutor, defense and commentator at the same time.

1971 Polish film by Jerzy Kawalerowicz

Young Pharaoh Ramses XIII clashes with Egypt's clergy over influence on the affairs of the state and its coffers.

《影子》是50年代-60年代初波兰电影学院派的代表作，与Andrzej Munk的《倒霉》《铁轨上的男人》等片齐名。是卡瓦莱罗维奇最好的作品之一。获嘎纳金棕榈和英国学院奖最佳影片提名。 The first screenplay, based on one of his own stories, by noted writer Alexander Scibor-Rylski, SHADOW is a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during the war, one in the immediate aftermath, and one in then contemporary Poland. In each, the murdered victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics at the time attacked the film for its depiction of a world rife with secret agents and hidden enemies - a favorite Stalinist theme - yet the film seems rather to insist on how heroism or villany are so often matters of point of view and timing. Polish filmmaker Jerzy Kawalerowicz was once considered one of his country's most talented post-WW II directors, noted for his powerful, detail-oriented imagery. Kawalerowicz was versatile and his subjects ranged from historical dramas to intense psychological studies. He made his directorial debut in 1951 after working as an assistant director. In 1955 Kawalerowicz was appointed head of the prestigious KADR production unit. He held the position again in 1972. In 1983, Kawalerowicz alienated himself from many of his peers by signing communist government-generated reports condemning all filmmakers aligned with the Solidarity Movement and promoting the destruction of production units run by long time associates Wajda and Zanussi. Born in Gwozdziec, Poland (now Gvozdets, Ukraine), Jerzy Kawalerowicz was noted for his powerful, detail-oriented imagery and the depth of ideas in his films. After working as an assistant director, he made his directorial debut with the 1951 film The Village Mill (Gromada). He was a leading figure in the Polish Film School, and his films Shadow (Cien, 1956) and Night Train (Pociag, 1959) constitute some of that movement's best work. Other noted works by Kawalerowicz include Mother Joan of the Angels (Matka Joanna od aniolów, 1961) and a 1966 adaptation of Boleslaw Prus' historical novel, Pharaoh, which was nominated for the Academy Award for Best Foreign Language Film.

指挥官维尼裘斯（帕维·德朗柯 Pawel Delag 饰）深深的爱着身在罗马的人质公主丽姬娅（玛达琳娜·米尔卡兹 Magdalena Mielcarz 饰），于是，残暴的尼禄皇帝（克兹佐夫·马扎克 Krzysztof Majchrzak 饰）将丽姬娅赏赐给了维尼裘斯为妻。然而，丽姬娅公主是一个虔诚的基督教徒，她不能忍受维尼裘斯靠杀戮和掠夺过活，丽姬娅选择了离开维尼裘斯。 为了挽回丽姬娅，维尼裘斯找到了基督教的秘密集会处，开始聆听教义，试图理解基督教的核心思想，想通过此走进丽姬娅的内心。当维尼裘斯回宫时，尼禄皇帝正在焚烧罗马城，而丽姬娅就在其中，维尼裘斯闯入火海救出了爱人。皇后非常嫉妒维尼裘斯和丽姬娅之间坚贞的爱情，于是设计陷害。

Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

1961 film by Jerzy Kawalerowicz