An extraordinary adventure through the interior of the human body; or the discovery of an alien landscape of unprecedented beauty.

An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture, revealing a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.

An archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next. The video is 360 minutes long and will be presented in three parts of 120 minutes length each, three times in a row.

Songwriter Dion McGregor became famous in the 1960s for narrating his dreams in his sleep. His flatmate recorded him doing so. In their new film somniloquies, Lucien Castaing-Taylor and Verena Paravel overcome the boundaries between inner dreamscapes and human bodies. At the start, flowing forms can be seen and a gentle, undefinable sound made out in the background. McGregor's voice appears and makes an invitation: “I have expected you, come-on in, I said I would grant an interview”. The more we listen to him and enter into his dreamworld, the clearer the contours of the sleeping bodies become, before they seem to dissipate once again. The dreaming man speaks with people who are sawing open his body, removing his organs and stitching him back up. As we find out how painful he finds the stitches, we ask ourselves for how long we’ll want to follow the camera, which sometimes seems to caress the bodies tenderly, but at other times seeks to pierce them almost brutally, like an x-ray. Just in time, we hear his voice: "Let’s go to future land (…) it’s shining near the corner". In this case, sleeping in the cinema means pushing forward to its very limits. (berlinale 2017)

Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.

An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.