1979 television miniseries by Boris Kimyagarov

Five Red Army soldiers, who found themselves in the rear of the Kolchak troops, captured an enemy armored car and captured an intelligence officer. From him they learn that soon a steamer with weapons and ammunition for the upcoming white counteroffensive is due to pass along the river. How to stop the ship, capture it, and then transport such a valuable cargo through ambushes and cordons of Kolchak troops entrenched on both sides of the river?..

The film tells about two elderly widows who live in the same house. They are united not only by tragedy, but also by common concern, namely the grave of two unknown soldiers, which they have been guarding for over 30 years. And suddenly the managers of their district decide to turn the grave into a memorial.

The youth construction team celebrated Anatoly and Varya's wedding with fun. Without giving importance to the first quarrel, Varya, however, once admitted to herself that she did not understand Anatoly's aspirations for a cozy furnished life. She tried painfully to understand her husband, who was jealous not only of her work, but also of her friend Kostya. When the spats became more frequent, Varya took little Vasilk with her and traveled to the Urals together with the installers.

A former German officer is coming back to USSR in order to help to clear land mines he put during the war.

A factory crew of seven young people is taking responsibility of a young criminal.

In early 20th-century Azerbaijan, two circus artists travel to a village where one of them was born, unaware of the danger and adventure that await them.

A very sick girl asks her father to get her a live elephant. Based on the early stories by Alexander Kuprin.

A new girl becomes circus star despite her husband objective.

Once upon a time, a young and cheerful painter named Makar was invited to the king's palace... There he saw a beautiful woman trying on a crown. Makar fell in love, but was expelled from the palace. After undergoing all kinds of trials and heroic deeds, the former painter came to the palace to ask for the princess's hand in marriage, but saw before him a capricious ugly woman—and realized that he had been enchanted by the servant Katya.

The good-natured scholar Christian-Theodore arrives in a small country where miracles occur. He falls in love with the beautiful Princess, whose marriage is a matter of national importance, because her husband will become the new king. But unlike many “suitors”, selfish thoughts are alien to Christian-Theodore. He is sincerely fascinated by her beauty and releases his Shadow, hoping to get a faithful helper in his quest to marry the Princess. But the Shadow is the embodiment of egoism, greed and meanness. Quickly betraying the scholar, he marries the Princess himself and takes the royal throne.

Based on the famous fairytale "The Tinderbox" by Hans Christian Andersen. The main character of the film is a puppeteer who lives in a poor and gray world. He composes a fairy tale in which he himself, in the guise of a brave soldier, finds a flint and is helped by a kind wizard. The soldier falls in love with a spoiled, capricious princess who, as befits a princess, poses riddles to her numerous suitors. Her father, the king, is eager to see the soldier as her husband, as he believes the soldier has a great deal of gold. In the fairy tale, everything ends well, but in real life, not so much. "But life is not a fairy tale," his beloved girl says to him as she bids him farewell.

Set during the last days of the civil war that followed the Russian Revolution. The Crimea Peninsula is the last stronghold of the White Guard, and the Red Army is planning the final assault. The first story line of the movie follows two Red Army soldiers: unlikely friends Nekrasov and Karyakin. The second story line is about a White Guard officer Brusentsov who is devoted to Russia and his cause but sees it being destroyed day by day.

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

Story of the lives of three Soviet pilots who are united by disaster in a small town in the mountains.