The siblings Bebe and Mikhail leave their country of Moldova to apply for asylum in Germany. Their flight turns into a modern odyssey.

Most of the time, Patrick Angerer enjoys a pretty laid back view of life. So he's not especially impressed by the protest action his workmates are taking against the strict wage targets set by the new management of Falkendorf steel plant. But things suddenly begin to get interesting for Patrick when his ex, Barbara Brossman, still the great love of his life, is sent to Falkendorf as the union's lawyer: as she's brought along her new partner, Patrick has his work cut out trying to convince Babs that his life doesn't entirely consist of football and trips down the pub.

It is summer and five overly-seasoned college students have been given the task of writing a group paper on Franz Kafka’s “The Country Doctor.” At first they are reluctant, but in a cloud of hashish they come up with the idea to film the story instead. Their film location is a campsite in Sicily, which they had already booked ages ago for summer vacation. The technical department consists of a couple “unique” men from the Vienna film scene. To everyone’s surprise, they even manage to get Kafka himself to play a supporting role in the film.

Helene (86) and Toni (70) are completely different. One is planned and well-timed, the other impulsive and spontaneous. As an unlikely team, they embark on a journey to Switzerland for euthanasia. But their road trip through the mountains turns out differently than planned.

Martin and Katharina’s marriage is at stake because their six-year-old son, Tobias, is autistic. They become friends with the young couple that moves in next door and Tobias starts to gradually open up. His parents are very happy. But soon Martin discovers that the young couple has their own reasons for wanting to be near Tobias: they have a horrible plan.

2019 film by Andreas Schmied

Does luck have a use by date? Both thought that at eighty they have experienced everything until, like a bolt of lightening, Rosa and Bruno come together and immediately fall head over heels. There are two obstacles to their happiness though: Bruno’s marriage, which has long been routine, and Rosa’s illness; she has cancer and not long left to live. Despite the difficult circumstances, the two decide to breakaway – Bruno from his relationship and Rosa from her retirement home. Against the advice of carers, doctors and relatives, the pair moves into a new apartment together. ANFANG 80 shows with a great deal of unequivocal humour how insensitively and sometimes desperately overburdened society reacts to love among the elderly.