1983 film by Lasse Glomm

Grièvement blessé pendant la Première Guerre Mondiale, Joë Bousquet perdit l’usage de ses jambes et demeura jusqu’à la fin de sa vie au 53 de la rue de Verdun à Carcassonne, dans une chambre à volets clos. Ce lieu, indissociable du parcours immobile de l’auteur, sera le point de rencontre de nombreux écrivains et peintres, notamment surréalistes. Dès lors, «?ce reste d’homme?» va se consacrer à l’écriture, mélange de poésie et d’autobiographie. Il laisse une oeuvre considérable à sa mort.

A mysterious woman, claiming to be a nurse who had disappeared during the bombing of Nagasaki, communicates with an atomic plant engineer by means of his TV set

Marcel is a taxi driver who luckily pickups a gorgeous woman who begins to undress herself while in the back seat. Soon she leads him to a Private Club where he can pick any woman he wants to satisfy his sexual fantasies. After he enjoys a few exciting moments with 2 lovely ladies he is introduced to the many characters that make up the Private Club and begins enjoying the sexual games. The Private Club isn't all that's on Marcel's mind though as he is madly in love with Lisa who he met in Paris.

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.