Paul Gerard Smith — Playwright (11)

Movie

Untamed Fury (1947)
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other title: Söhne der grünen Hölle / Die Söhne der grünen Hölle
The swamp folk of the deep Okefenokee live a brutal primitive life untouched by modern times - they support themselves by hunting alligators and selling them to the outside world. Jeff returns home from college with an engineering degree and dreams of bringing modern medical care and education to the swamps. He is immediately confronted by his old boyhood rival, "Gator-Bait" Blair, who thinks things are just fine the way the are. "Gator" whips the ignorant locals into a frenzy of fear and resistance. When Jeff is unintimidated by their threats, Blair sets out to stop his plans once and for all - with a rifle.

Movie

San Antonio Rose (1941)
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San Antonio Rose is an amiably wacky mini-musical evenly divided between its "official" stars, The Merry Macs, and a strong cast of supporting clowns. Robert Paige plays roadhouse operator Con Conway, whose establishment is in danger of being squeezed out by its competition. Stranded entertainers Hope Holloway (Jane Frazee) and Gabby Trent (Eve Arden) decide to revivify Conway's establishment by staging an energetic floor show built around the talented Merry Macs. A rival club owner dispatches his two top hooligans Jigsaw Kennedy (Lon Chaney Jr.) and Benny the Bounce (Shemp Howard) to wreck Conway's club by posing as waiters, but the two stupes are easily cowed into submission--by the leading ladies!

Movie

Dangerous Nan McGrew (1930)
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other title: 危险的麦克格鲁
Dangerous Nan McGrew is the sharp-shooting expert of a traveling medicine show that is stranded in the Canadian northwest at the snowbound hunting lodge of wealthy Mrs. Benson. Nan is invited to put on a show for the benefit of Mrs. Benson's Christmas-Eve guests. While performing her boop-a-doop songs, Eustace Macy, the saxophone-tooting nephew of Mrs. Benson falls in love with Nan. And, then, the villain, the bank-robbing Doc Foster, makes his entrance. Can Dawes of the Royal Mounted be seen slushing in pursuit behind the gangster? Could Be.

Movie

Lady, Let's Dance (1944)
Lady, Let's Dance WikiData IMDb TMDB
other title: 彩衫熱舞 / Vamos a bailar …
Singing, dancing, and ice skating are featured in this musical that focuses on ice-skating sensation Belita. The story begins as she travels to a California resort where she has been hired as a replacement for a dance team. The resort is run by a handsome fellow. As a result of the gig, the skater becomes a national star while the resort manager gets fired and becomes a drifter until he ends up in the Army. The Oscar nominated score includes the following songs: "Silver Shadows and Golden Dreams", "Dream of Dreams", "Rio", "In the Days of Beau Brummel", "Lady, Let's Dance", "Happy Hearts", "Ten Million Men and a Girl", and the rhumba standard "Esperanza".

Movie

La Conga Nights (1940)
La Conga Nights WikiData IMDb TMDB
In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.

Movie

My Tomato (1943)
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Joe Doakes is lamenting to his wife the lack of variety in his meals. In particular, he misses eating stewed tomatoes, the fruit which he believes incorrectly is being rationed as a war measure. Mrs. Doakes knows that tomatoes aren't rationed, but she doesn't correct him, especially after he announces that he will grow enough tomatoes to feed the entire block. As he proceeds with his tomato garden, he, unaware of what it actually takes to grow tomato plants successfully, accepts advice from the many people who are willing to give it. The problem ends up being that much of the advice is conflicting. But at the end of the process, Joe is pleased with the fact of having grown a fruit to maturity - regardless of the actual yield of the garden - until someone else, or something else, has a say in what happens to that fruit.