1929 film by Géza von Cziffra, Carmine Gallone

Expressionistic devices depict the nervous breakdown of a young physician whose patient has died,on whom he had tried out a new serum contrary to his superior's orders.

Freely adapted from Theodor Storm's novella of the same name.

The two aspiring actresses Jeanette and Mimi are waiting for their big chance. But the real breakthrough is slow in coming. Jeanette especially desperately needs a big success, since her friend, the journalist Stephan, is about to lose his job. When the two have their chance to take a ride in a posh car during a shooting, Jeanette slams on the throttle and the two friends take off. Their aimless journey takes them to a fashionable winter sports’ hotel, where Jeanette reserves a name under “The Countess of Monte Christo”. Everything’s going dandy; no one suspects a thing. That is, until two impostors, Rumowski and “The Baron” take residence in the same hotel.

London, in 1730. Charly, Jim and Ben work hard, with the brave Maud, in a cotton mill to earn a few shillings. They all dream of the wonderful island told by Daniel Defoe. The latter lives in a miserable room. He is disgraced and rejected by his son Tom, a scoundrel who blames his father for losing his position at the Court ...

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

An actress used to playing only bit parts becomes the center of attention when a movie director buys her life story as a film project, she is now faced with a psychological crisis.

The two main people in the story are Anna, a young girl, who is thought of having the ability to heal people mysteriously. Elisabeth is a young - middle aged aristocratic woman, that is disabled and puts all her hopes in meeting Anna and having her disability heal by her. A strange ambivalent relationship develops between the two women.

In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.

A 1943 German drama film directed by Georg Wilhelm Pabst based on the life of Philippus von Hohenheim (Paracelsus). The film is one of several big nazi era productions with main characters regarded as propaganda-parables to Adolf Hitler (see also Ohm Krüger and Der grosse König).