Based on the novel of the same name by Seichō Matsumoto.

Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.

东洋夫洛尔选拔岸本，董事，大学选手的强打者栗田郎选拔吧”的命令。但是栗田，给他大学优秀的棒球选手香吉士培育的球气一平的来路不明的男子操心了。球我妻子在冈山的东京经营旅馆的谷口凉子和关系，贸易公司工作的同时，也在栗田赚一笔钱为目标。栗田拉拔，首先要注意掉落的球需要知道的岸本，立刻，工作开始。沉默寡言的栗田球一样顺从了。然后凉子的旅馆出入中她妹妹笛子和相爱了。栗田双重绑了垃圾和大厅微笑球气相比，笛子世间被娇惯栗田的性格变去的担心，进入职业是反对。岸本开始行动了，和其他的球团也开始策动。特别是大阪队的古川和阪电リリーズ岛聚焦的。球的感觉各球队操纵栗田的值，同时自己的报酬也某种情况吧的计谋，合同被迫，秋天总是联赛逃到了。联赛是栗田的活跃里结束。曾经栗田大学不给，誓约书放入球注意自身放任自流的高知的老家，欲望累球气绝缘状寄来了。栗田联赛闭幕一起回乡，球气岸本的条件决定大致的肚子。有了巨款的岸本开始，选秀们竞相高知去。和家人各球队的电话引末兄弟之间到用刀伤事件发生了。栗田，胆石死的床的球的感觉做为斜楞眼睛，笛子和缘分切进入了大阪袜。球气的遗骸面前，岸本「这次是栗田死·球的投手找出杀”，包含决心发誓了。... 热墙，再次只是等待着的。...

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

A young woman is forced by circumstance into a loveless marriage while still in love with another. This episodic tale follows their story through three decades of bitter conflict which engulfs their children and those around them.

An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.

Iemon Tamiya is an impoverished masterless samurai who craves a better life, which he cannot have because of his marriage to Oiwa, who is completely devoted to her husband.

1951 film

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

A former aristocratic family faces financial hardship and their daughter is introduced to a nice man in the auto repair business, the hope being that a marriage might be of economic assistance to the family. The daughter's family finds it hard to accept this kind of idea and the young man is uncomfortable with the difference in their social standing. However, everything works out in the end and a happy marriage takes place.