A high-school girl with a hobby of documenting stuff with her video camera films a woman getting raped in a dirty alley. She get in contact with the rapist and start blackmailing him to let her film when he assaults his victims, whom he chooses because they are all patients of his psychologist sister, and he's been eavesdropping on their sessions.

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.

Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.

A mentally disturbed prostitute claims to have lost her baby in a heavy S&M session. As she begins a similar relationship with a man whose wife left him because of his kinky urges, their mutual mental deterioration leads them down a spiral toward a double-suicide pact.

Miku (Yui Kawagoe), who is deep in sex, was a virgin without connecting her lover Otake and her body. There was always a undershirt woman beside Miku. In fact, the undershirt woman was Miku's aunt, the spirit behind her, and she who lived in the Edo period was a sexually greedy and free-spirited woman. However, such a personality was so bad that he was not blessed with a man, and he came down to the present life to fulfill his feelings of pleasure through his offspring Miku. One day, Miku, controlled by the aunt of the spirit behind him, invites Otake to the night of his first experience, but when he reaches a good place, he gives up because of the pain. Then, Otake gets angry when he gets angry, and the two become catastrophic ...

Misato (Nana Aida) was a young lady who grew up in a wealthy family, but she married Kazuya Natsume (Takahiro Nomura) when she became pregnant. .. However, she has a miscarriage. As a result, Misato's heart was deeply hurt, and her husband and wife were also jerky. Father Kinoshita (Yutaka Ikejima), who was worried about his daughter's family, visits the Natsume family (Misato Studio). Kinoshita, who holds the chairmanship of a large company, built this elegant house for his daughter and his wife. Kinoshita is worried that Kazuya might think about divorce because he couldn't have a child, and he invites Kazuya to come to his company, but Kazuya finds the job of editing a magazine worthwhile. I refused because I was doing it.

Haunted by a dark trauma and hiding her true past, the enigmatic Fuyumi slips into the office of lawyer Sakisaka under the guise of a devoted secretary. Fuyumi, addicted to the rush of theft for a mysterious organization, infiltrates the office of lawyer Sakisaka. While he’s away on a business trip, she presses her hot, trembling palm against the cold steel of his safe, stealing a large sum of money from his safe and makes her escape. Sensing something dangerously volatile simmering beneath her cool facade, Sakisaka can’t tear his eyes from Fuyumi’s lithe silhouette as she moves through his office. Worried by her sudden shifts between seduction and tearful fragility, he turns to Yui, the detective who once loved Fuyumi, only to unearth secrets that will set their tangled hearts—and bodies—ablaze.

Two stories explore secrets, desire, and unrequited love. In "My Brother's Lover," graduate student Takeo and his sister share a home—and unexpectedly, a romantic interest in Riku, a man who has acted in gay adult films. This secret threatens to upend the siblings' lives. In "His Child," Akihiko secretly loves his straight best friend, Kazuya, and selflessly cares for Kazuya's baby. However, Kazuya hides a crucial secret that, when revealed, forces him to confront the complex feelings tied to Akihiko and his family.

Junnosuke and Kazuhiko are a couple who live with each other. However, one day Kazuhiko gets drunk and sleeps with a female employee of the company and she gets pregnant.

Narutaki is a TV newscaster. Amidst his immense popularity, his work and private life were fulfilling. However, in order to maintain his popularity, he hid the fact that he was gay and was careful not to let the public know about his boyfriend. The young man, who is a big fan of Narutaki and masturbates every day while watching Narutaki on TV, finally can't stand it anymore, and eventually realizes that Narutaki is gay, and begins a violent stalking act. Eventually, Narutaki's lover becomes involved in a crazy love triangle...

Several people are interviewed about the twisted story of a man who only gets an erection from shaving female pubic hair. Distributed by Xces / Nikkatsu.

A man dreams of groping women on the train. He then leaves his girlfriend and moves to Tokyo. After getting bullied by a group of men, a master trains him in the ways of groping.

A beautiful young man is riding a train when a suspicious man comes and snuggles up to him. A man who snuggles up to you even if you run away. Eventually, when he arrives at the station, the man gets off, but leaves a book. Thinking that the man might have forgotten it, he picks up the book. The book is "Gay Toybox". When he finally opens the book, the movie begins with an epilogue. The movie is an omnibus of three features. In other words, each book is an elaborate composition of one story of the gay world that is developed in that book.

Ryuji Yamamoto, an actor from over 1,000 pink and AV film, directs and plays a fictionalized version of himself that has a gay awakening at Cine Friends Nishijin in Kyoto. Many pink film actors and crew also appear as "themselves."

A middle-aged man and an elderly woman are standing in front of a large mansion. The man's name is Hiro and he is an office worker who lives with his elderly mother. Then, a truck arrives with the painter Rin in it. Hiro and Rin end up sleeping together. With his first solo exhibition approaching, Rin plans to complete his new work at Hiro's house. But one day Rin's art dealer asks whether he would like to go to New York to study if this solo exhibition becomes successful. He has an important decision to make.

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.

中年の敏腕編集者・山浦は、妻や息子と離れてほとんどを事務所で生活し、若い男に声を掛けては情事を楽しんでいた。彼の息子・尚也は先輩の和彦が街中で父とキスしているのを目撃して衝撃を受ける。そして彼は和彦に父との関係を問い詰めた。劇団員の和彦は雑誌のモデルをした時に山浦と知り合い、以来関係を続けているのだった。父の素顔を知った尚也は苦悩し…。