film directed by Stanisław Lenartowicz

The film deals with the a clandestine Olympiade held in a German POW camp during WW II, housing many Poles, but also French and Brits. A spit and a Polish German lieutenant is added to the staff of a prison camp. He sees a Pole, the acknowledged leader of the Polish prisoners, against whom he had competed during the Berlin Olympics in 1936. He asks the Pole to train with him but is refused; the Pole points out out that he is a prisoner and nothing more. But that plants the seed and the Pole proposes and Olympics 40 to be held among the prisoners. They ingeniously make a flag and medals, set up a number of races; a croaching hop race is unwittingly organized by a German prison guard who uses it as a torture. The German lieutenant knows that something is going on but cannot find out. Finally the Germans realize the idea and the Polish chief is sent to concentration camp but the others disobey the orders.

Returning from Rome, Warsaw writer Wacław Kisielecki's car breaks down late one evening on a country road, forcing him and his chauffeur, Konstanty, to seek lodging at a nearby manor house. Its owner is a young man, Jan, who has been managing the dilapidated estate since his mother's death. All that remains of the former estate are the manor house, a vast orchard, and two servants: Stanisław, the caretaker, and his beautiful young wife, Faustyna, who runs Jan's household.

Count Olgierd Łabiński lives in Paris with his beloved wife, but their quiet life is disturbed by the arrival of Octavius de Saville, a former admirer of the Countess from her days in Florence. Obsessed with possessing her, Octavius seeks out Dr. Cherbonneau, a sinister figure dabbling in Eastern teachings of reincarnation. Through the doctor’s occult science, Octavius attempts a dangerous “exchange of souls,” scheming to inhabit the Count’s body and win the woman he desires.

2011 film by Marek Lechki

Released from prison after five years, con-artist Szu is sent packing by his young wife; he heads for the town of Lutyn where he runs a con and attracts the interest of Jurek, a young cab driver who imagines himself a great grifter. Szu ("Sharp") teaches Jurek a few tricks enabling the young man to win some money in Wroclaw, then Sharp departs with Jola, a prostitute who offers him a mark. How that plays out, Jurek's determination to win big, Sharp's cold calculations, and the wages of sin await.

波兰新浪潮电影经典。
There are several reasons why you should watch this rare gem: this is a rare example of Polish new wave, it has great camera work, cast and great music by Wojciech Kilar. It is poetic, avant garde and almost forgotten. And i made the subs myself.
Polish new wave
This is one of the gems of Polish cinema, a great example of Polish new wave, which is represented by the names like Grzegorz Krolikiewicz, Jerzy Skolimowski, Bogdan Dziworski, Andrzej Kondratiuk, Andrzej Kostenko and others.
The Polish new wave movement was, similarly to French, characterised by usage of radical form, experiments in narration, unconventional film language Also, contrary to nouvelle vague in France, Polish new wave has never been defined precisely. It has never reached mainstream popularity and most of the titles have never been released on DVD up to this day.
Synopsis:
Andrzej is an enginner. He works in a shipyard. A day before his 40th birthday he celebrates his first ship launching. He plans to rest at his “rancho” – a small cottage at the Baltic sea. The birthday party at the desolated place transforms into trance-like, hallucinatory feast.
What is it about?
This is the movie about a middle aged man. But it’s not a typical drama about growing old and longing for youth. Andrzej is confronted with his age, but also with his past and his passion. He belongs to the generation that was growing up during the war. The war marked many people in his age – he meets them in the movie. His friend’s parents and grandparents were killed in Auschwitz or died in the Warsaw Uprising. When they see fire, it reminds them about atrocities of war. No doubt that Andrzej feels extremely tired. The war destroyed him emotionally: he’s full of doubt in his feelings. He realizes, that everything in his life came too late: his studies, his career, his love.
The director Andrzej Solorz uses various means to portrait the shaky personality. The present time mixes with main character’s memories, his hallucinations intertwine with streams of consciousness. Great cast, great music by Wojciech Kilar.

1987 film by Waldemar Podgórski