《白鴿計畫：台灣新電影二十年》蕭菊貞受釜山影展20週年特別企劃「紀錄片系列專題—亞洲電影的力量」之託，拍攝本片紀錄自台片票房復興，台灣電影工作者所面臨的困難，藉由一段段與台灣導演的訪談，爬梳台灣電影中所反映的社會脈動以及「國族認同」議題。 透過訪問導演、製片等電影各界人士，形塑出現今台灣電影的嶄新樣貌，更一窺電影從業人員對於電影的肺腑之言。另一方面，隨時代演變，觀眾對於台灣的想像日漸擴展，這片土地的觀眾似乎湧起一股渴求，希望看到與自身環境及土地相互連結的電影。對於這股新趨勢，身處新世代的導演們又將會如何應對？

《昨日的記憶》是由台灣最頂尖的年輕導演所分別執導的四段關懷失智老人的短篇故事，包含姜秀瓊的《迷路》描寫張震在街頭奔走尋找失智爺爺，卻與舊愛隋棠重逢，在所有人事已非的風景中，他們怎樣找回那些散失的片刻？而在生命中真正迷途的又是誰？何蔚庭的《我愛恰恰》從阿茲海默症患者視角出發，描寫失智老先生丁強在公園散步巧遇初戀情人馬之秦，當重逢變成首遇，最後的愛便像是初戀。沈可尚的《通電》疼惜那些背負生命重擔而不輕易言退的鬥士們，描述一直以為自己還是歌星的失智婆婆和心力交瘁的媽媽李烈，在女兒郭采潔的妙計之下如何找到新窗口。陳芯宜的《阿霞的掛鐘》將失智老人、與城市空間記憶的消失做聯結，感受老人面對快速變化的心境。

Everyone around Xiao Yang, a 17-year-old high school boy, keeps secrets and suffers from heartbreak. His father runs a print shop and meets a girl next door, Li who is about to get married soon. Meantime, his shopkeeper mother gets close to her neighbor tailor, Shian. Yang tries to set up a date for his sister Lang who just got dumped. Also, Yang needs to cover his friend Mao who has a lovers’ quarrel to girlfriend Tian. As the only one who’s alone, Yang quietly witnesses the romances from a distance and secretly reads those love letters he helps deliver…

1980 film by Li Hsing

绿树成荫，夏雨淋漓，小学生阿全的暑假作业是要观察鸡蛋的孵化，而他的家庭似乎也面临着变化：在成长过程当中缺席的母亲才从监狱假释，又回头去找当初要她顶罪的男友， 令阿嬷与妈妈的争执越演越烈；爷爷则被诊断出阿兹海默症，阿嬷看似无微不至的照顾， 更像在掩饰什么不可告人的秘密。此时，爷爷的旧友来访，看似友善温和的他，却掀起了 一阵家庭风暴⋯⋯

1983 film directed by Edward Yang

The story revolves around a blind music student who excels at piano but faces hardships due to his disability, and an aspiring dancer who works at a bubble tea store. Their friendship becomes mutually uplifting as they pursue their dreams.

2011 Taiwanese film directed by Tom Lin