As a family moves into their new country home, strange events occur, making them believe that their autistic daughter is somehow communicating with the victims of an unsolved murder 8 years earlier.

The mother of a murdered hitchhiker meets the offender.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

2023 film directed by Wolfgang Groos

In 1938, Jewish-rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Det. Tony Rossini investigates, along with Larry "Cash" Carter, a theatre director connected to Mrs. Sachs and her family.

A dying woman, who stole her best friend's lover, is convinced that a spell has been cast on her, so she orchestrates her former friend's return from a self-imposed exile in Africa in the hopes of breaking the spell.

The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood...

An artist, Richard, can no longer afford his British home and is now living in Tangier. With his help, young Moroccan man Malik makes it to Europe, the destination of his dreams. There, of all people, conservative politician Mathilda ends up hiding him. Mathilda’s assistant Amina, who finally wants to leave her Moroccan roots behind, is called in as a ‘cultural mediator’ to solve the problem. But Malik has plans of his own and unwittingly unleashes an avalanche.”

Retirees Karin, Gerhard and Philippa are not in the mood for Nordic walking and seniors' courses at the university. When Philippa, who is living life to the full as Leonie's godmother, helps the two to unexpected grandparenthood, they suddenly have two "lively" god-grandchildren to look after, a huge bouncy castle standing in the garden and Lego bricks stuck to their feet.

出于对伟大思想家莱布尼茨的爱，夏洛特女王委托为其绘制肖像。绘画过程变成了一场关于艺术、爱与绘画中真实性的戏剧性探索。

丹涅拉（芭芭拉·苏科瓦 Barbara Sukowa 饰）因与猎场看守鲍里斯（赫尔穆特·贝格 Helmut Berger 饰）有染，在打猎时借机射杀了她的丈夫。后者作为唯一目击证人帮助她将这起谋杀案掩盖为狩猎事故。几年过去，丹涅拉嫁给了外交官史蒂芬·马蒂森（梅尔·费勒 Mel Ferrer 饰），后者对她阴暗的过去一无所知。当马蒂森夫妇来到捷克斯洛伐克的塔特拉山脉狩猎时，丹涅拉和她的旧情人重逢了。 在狩猎季的背景下，一段三角畸恋再次发展，并带来了致命的后果......

1980 miniseries directed by Rainer Werner Fassbinder

2023 international sci-fi thriller television series

2015 American television series

87年柏林电影节金熊奖提名. A successful young girl, journalist, Yugoslav by origin, arrives to Yugoslavia on business and goes to visit her mother, who hopes that her daughter will return some day. By the way, she meets a young German who follows the trail of his father, ex-soldier of Reich who fought in Yugoslav area. A young boy belongs to that generation of Germans which questions their fathers' role in war. These two young people, each with his own specific burden, fall in love, wishing to establish a serious relationship. Jeanine Meerapfel was born in Buenos Aires as daughter of German Jewish parents that had fled the Nazis. In 1964 she came to Ulm to study filmmaking, and since then stayed to live in Germany. However, she still is a traveler between different worlds and has assumed the issues of exile, immigration, asylum, social rights of foreign workers as themes for her films, time and again. In 1980 she made her first feature film, "Malou" for which she wrote the script and Michael Ballhaus did the camera. The film won prizes in Cannes, Chicago and San Sebastian. Her next feature films were "Die Verliebten" (In love, 1986/87), "La Amiga" (The friend, 1987/88) which won the Bundesfilmpreis as well as "Amigomio" (My friend, 1993/94). Her documentaries between 1981 and 1990 received as well different prizes: "Im Land meiner Eltern" (In the country of my parents) – Mannheimer Filmwoche, "Die Kummelturkin geht" (Melek leaves) – among others the German Filmcritique, "Desembarcos – es gibt kein Vergessen" (Impossible to forget) - the city of Strassburg. Jeanine Meerapfel is member of the Academy of Arts in Berlin and since 1990 professor of Film and Television at the Superior Institute for Media Studies of Cologne. The scriptwriter and filmmaker was given the Artists prize of Nordrhein-Westphalen for the totality of her work in the area of film direction, with the mention "for the strength and clarity of her images, which are narrating human destinies in such a poetic and sensible way that nobody stays unmoved". Her latest film "Anna's Summer" had it′s first screening in Germany at the Berlinale 2002

In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.

11岁的洛卡过着不寻常的生活。她的母亲死于洛卡的出生，她的父亲作为宇航员去国际空间站。她和在汉堡的祖母住在一起，祖母似乎对她的孙女没什么好感，很快就会因为生病住院。罗卡现在只能靠自己，学会解决一切麻烦……

By pure coincidence, a photograph found on the internet by chance of a renowned American opera singer, Caterina Fabiani, throws the lives of Paul Kromberger and his daughter Sophie into complete chaos. Paul, well advanced in his years, appears to recognize the image as that of his deceased wife Evelyn, Sophie's mother. Unable to convince her controlling-and-stubborn-to-a-fault father otherwise, Sophie sets off for New York to seek out this mysterious stranger...

“Margarethe von Trotta’s knack for observing the big picture through the more primal politics of personal relationships works best when she focuses on the latter. In particular, the subtle and drastic power games played by intimate family members bring out her best instincts, especially when the main players are women, as is the case in her two best films, Die bleierne Zeit/Marianne and Juliane (1981) and Heller Wahn/Shear Madness (1983). Made for German TV, Die andere Frau revisits those strengths, though in a more conventional formula. “Ivonne Schumacher (Barbara Auer), formerly of the GDR, has made good in the West. Her husband, Stefan (Stefan Kurt), an erstwhile Stasi agent, is now a good capitalist earning a fortune with his "investments." Ivonne has no interest in examining the past until she receives a letter from an unknown woman. Now in prison, Vera Glaubitz (Barbara Sukowa) claims she had an affair with Stefan, whom she knew as Peter, for years. A "Stasi Romeo," he seduced her in order to get her to steal state secrets at the office where she worked. Ivonne visits Vera in jail, and their relationship goes through many phases of hostility, hysteria, bonding, and despair as Vera recounts her story through flashbacks and Ivonne ponders her marriage. Not much to think about there: it stinks. The biggest mystery in the film isn’t where Stefan gets his money but why two attractive and intelligent women would fall for such a creep. In German with English subtitles. (90 minutes)”