1978 film

1972 film

Girdharilal (Kader Khan) is a very rich and wealthy man. He has made a number of enemies. One of his enemies asks a beggar to masquerade as Girdharilal for a price, to which the beggar agrees. The switch takes place, with the real Girdharilal being abducted. A series of hilarious and comical events take turn as the beggar attempts to pretend to be a rich, left-handed tycoon.

1983 film by Kovelamudi Bapayya

A famous singer, Aasha, falls in love with a truck driver, who believes his wife is dead, but when Aasha discovers that his wife is alive, she struggles as to whether she should reveal this information, and possibly lose him.

1993 film by Mehul Kumar

1993 film

Akbar lives with his widowed mother in a small shanty hut. One day, his mother finds two young orphans, Ram and Laxman, and brings them home. Years later, Akbar, Ram and Laxman have grown up. While Ram has fallen in love with Radha, Laxman's sweetheart is Jenny, a pickpocket and petty thief. One day they come across a blind woman, and come to her assistance. They find out that she is their long-lost mother, who was blinded by a man named Ajit Singh, who also killed their father. Ram and Laxman decide to seek vengeance against Ajit Singh, but before they could do so, Akbar's mother and their mother are abducted, and it looks like Ajit is all set to send the rest of the family to their deaths.

1987 Hindi film directed by Kovelamudi Bapayya

1987 Hindi film directed by K. Ravi Shankar

1985 film by Kasinathuni Viswanath

1984 film by K. Raghavendra Rao

1978 film by Dasari Narayana Rao

Two students are framed for molesting a girl and must leave college. To make ends meet, they pose as tutors to a young lady who they both fall for.

Thakur is a rich and wealthy man. He has two sons, the elder is Ram, who is married but frequents a prostitute Munnibai. The second son is Bharat, who is unmarried, and is good, virtuous, and devoted to his family, and expected to marry Roopa. While disciplining his elder son, Thakur has a heart-attack and passes away, leaving the administration of the estate to his younger son and daughter-in-law, the wife of Ram, Gayetri. This does not auger well with Ram and Mamaji, and they attempt to force Bharat to sign the estate over to them. When they fail, they conspire to kill him, and take over the estate from Gayetri. Bharat overhears this, and goes along with Ram's plan to kill him. He then returns as Daku Mangal Singh, his look-alike, in order to set things right. Things seem to be going well, until Bharat finds himself in a tight corner when he is accused of killing himself.

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

1986 film by K. Raghavendra Rao

1981 film by Rajendra Singh Babu

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men abduct Gulabi. But before he could have his way with her, she is rescued by Raja, but Ajay subsequently shoots Raja to death. An enraged Haria wants to kill Ajay in return, but Ajay's dad stops him from doing so. Then Ajay's dad finds out a secret about his past life, and decides to change his last will and testament. Ajay finds out about this and lays in wait with a shotgun to kill his very own father - and anyone else who dares to stand in his way

1964 film by V. Shantaram