Pablo Larraín — Director (8)

Movie

My Sad Dead (2026)
Mis muertos tristes IMDb Douban
other title: Mis muertos tristes / 我悲伤的逝者们 …
Based on the work from Mariana Enriquez and directed by Pablo Larraín, My Sad Dead follows Ema, who can see and hear the dead. After her mother’s death, Ema receives an unexpected visit from her niece Julie, with whom she shares the same unsettling gift. With Julie’s return, family secrets and wounds that never fully healed will resurface —but so will a strange phenomenon from which no one will emerge unscathed. The entire neighborhood will sense presences and hear the distinctive sounds of their own dead.

Movie

Tony Manero (2008)
Tony Manero WikiData IMDb TMDB Douban
other title: 杀手夜狂热 / 周末杀人狂热(港) …
Chile's 2009 Academy Awards official submission to Foreign-Language Film category. Santiago de Chile, 1978. In the midst of the tough social context of Pinochets dictatorship, Raúl Peralta, a man in his fifties, is obsessed with the idea of impersonating Tony Manero, John Travoltas character in Saturday Night Fever. Raúl leads a small group of dancers regularly performing at a bar located in the outskirts of the city. Every Saturday evening, he unleashes his passion for the films music by imitating his idol. His dream of being recognized as a successful showbiz star is about to become a reality when the national television announces a Tony Manero impersonating contest. His urge to reproduce his idols likeness drives him to commit a series of crimes and thefts. In the meantime, his dancing partners, who are involved in underground activities against the regime, are persecuted by the governments secret police. Tony Manero is a story about loss of identity and obsession in the recent Chilean history

Movie

Venice 70: Future Reloaded (2013)
Venezia 70 - Future Reloaded IMDb TMDB Douban
★ 5.9 11 ratings
陈可辛 / 贝纳尔多·贝托鲁奇 … actor: 秦昊 / 田原 …
other title: 베니스 70: 미래 재장전 / 威尼斯70周年:重启未来 …
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.