Ten year-old Noam is a latchkey child whose parents have temporarily separated. While waiting for his parents to reunite, Noam fulfills a parental role to his sisters, even as he tests his own boundaries in a dangerous children's game. The family’s suspended routine will be shaken once more, when Noam’s mother announces she has important news.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

A Kibutz in Israel is heavily in debt. In a last effort to produce a viable financial restructuring, the old, "unproductive" members are asked to leave the kibutz, to make room for younger, more productive new members. Among those destined to leave is Shraga. His marriage to Clara is loveless while he desperately loves Bracha, his late brother's widow. Clara dreams of starting afresh with her husband in an old age home, in the far north of the country. Bracha on the other hand refuses to remain a mere no. 2. Shraga is asked to make a decision. Other family members are forced into joining this unresolvable conflict. Noa, 45, is one of them. Having left Israel many years ago, living in Amsterdam, she's forced back by her concern for Bracha, her mother. Noa's own daughter, Sherry, took off to India, shattered by a family secret. She too ends up in the kibutz in search of her own truth. Finally there's Reuven, the widower of Mira, Shraga's daugher, returning from Japan to face his in-laws and past misdemeanor. Against the background of a disintegrating society, the film ressurects the protagonists of the film "Noa at 17", at the time of a new, perhaps terminal, crisis of the Kibutz. Written by Yitzhak Yeshurun

The unexpected death of the family patriarch throws every member of the Ullmann clan off course. Widow Dafna takes to bed for three months and when she finally returns to her job at the maternity hospital, she has little time for her children. Eldest son, Yair drops out of school and adopts a fatalist attitude, shutting out his siblings and girlfriend. His twin sister Maya, a talented musician, feels the most guilt and is forced to act as a family caregiver at the expense of career opportunities. Bullied at school, younger son Ido responds by obsessively filming himself with a video camera and attempting dangerous feats. The baby sister, Bar, is woefully neglected. Preoccupied with their own misery, the family is barely a family anymore. When another tragedy strikes, will they be able to support one another? Written by Sujit R. Varma