Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

Determined to find her sister's killers, Ida Palamar decides to become a prostitute in an elite Zagreb brothel where the murder probably took place. The brothel is run by Vuk, violent and drug-crazed arms smuggler, protected by the police. Ida's only ally in her quest is a young bouncer.

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.