Junko Miyashita plays a mysterious hitchhiker picked up by a brute of a construction worker named Kenzo who takes her back to his run-down and cramped apartment in a not so good part of town. Claiming that she is running away from an abusive husband, she shacks up with him. In a futile attempt to escape the bleak working class surroundings, the pair engage in an obsessive erotic relationship.

The actor Koheiji is terribly in love with the wife of his best friend, the playwright Takuro; to get her, he would even kill Takuro.

Tatsuo, a reverent lumberjack, seeks to disrupt plans to build a marine park on his family land, instead promoting his traditions in reactionary ways.

Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.

Portrait of the Wind centers on Tamio Murase, a world-traveling photographer who came home to take over the family business after his father’s fatal heart attack. One day at the family photo studio, he finds a kindred spirit in Ayako and the requisite sparks fly between them. The initial portions of the film deal with their budding romance, and it isn’t long before the two become a serious couple, and Ayako is pregnant with Tamio’s child.

The movie compiles footage taken by Ogawa Production for a period of more than ten years after the collective moved to Magino village. Unique to this film are fictional reenactments of the history of the village in the sections titled "The Tale of Horikiri Goddess" and "The Origins of Itsutsudomoe Shrine". Ogawa combines all the techniques that were developed in his previous films to simultaneously express multiple layers of time—the temporality of rice growing and of human life, personal life histories, the history of the village, the time of the Gods, and new time created through theatrical reenactment—bring them into a unified whole. The faces of the Magino villagers appear in numerous roles transcending time and space—sometimes as individuals, sometimes as people who carry the history of the village in their memories, sometimes as storytellers reciting myths, and even as members of the crowd in the fictional sequences.

The world is in turmoil with the October Revolution of 1917, riots over the inflationary price of rice, and the military expedition to Siberia in 1918. But Shinsuke, a brothel owner, spends his days in the arms of geishas, paying little heed to the events happening around him.

A strong-willed young prostitute, her mentally challenged brother, and her aging prostitute mother attempt to survive in 1970s Osaka.

Akiko is a housewife bored with her marriage. She has an adulterous affair with a colleague of her husband and decides to follow him to Hong Kong where he has just been transferred. Akiko's husband goes out looking for them without success. Desperate, he lets himself be dragged into the underworld of the city by a mysterious Sino-Japanese man who plunges him into drugs and prostitiution until one day he finally learns the terrible truth about his unfaithful wife.

Filled with guilt over his forbidden desires, a young man leaves home and his studies. He finds a new smaller place to stay, a low-paying but satisfying job and a girlfriend. Then his mother, unable to fight her forbidden desires, shows up.

A shiftless resident in a boarding house spends his days crawling in the attic and spying on the renters below. One day he spies an elegant lady enter a room where a clown awaited her and watched as he pleasured her. But she spotted him watching and it aroused her more. Thus begins a story of two people who find they share similar desires and deadly passions.