“New York plays itself, as Taylor Mead and Winifred Bryan regale in pas de deux among the trashcans and the towers. The Studiedly Goofy and the Monumentally Grand are joined in masterly pas de don’t [...] The awed couple do battle with the status quo and teach the world to dance on the head of a bin. Rice detects real dignity in Bryan and amazing grace in Mead as they essay solitary promenades through the parks, subways and streets of a wintery New York landscape. Photographed and directed by Ron Rice, edited and scored by Taylor Mead.” –Edward Leffingwell

... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.

A man investigates the grisly crimes that occurred in a former insane asylum, unsettling the locals who all seem to have something to hide.

The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.

Archie has been in love with his best friend Amelia for as long as he can remember. Just when he builds up the courage to declare his feelings, she falls head over heels for Billy Walsh, a new American transfer student.

Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.

A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion.

自1983年开始播映的PBS新闻最前线节目。

In the aggressive and often hostile world of youth grass roots football Adam (17) faces an ultimatum from the team captain (Mike) when they discover Adam's best friend Tom is gay.

Perhaps America’s most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer and the ‘William Blake of film’. His utopian ideals, artistic processes and bejeweled artworks left no generation untouched since, and became essential influences to contemporary art superstars like Andy Warhol, Federico Fellini and Matthew Barney. In her feature-length film debut, director Mary Jordan combines Smith’s rare and unseen films and photographs with rare audio recordings, acting appearances, and other relics squeezed from Smith’s vaulted archives. Commentaries from art luminaries, critics and Smith’s friends and enemies (such as screenwriter/playwright Ronald Tavel, New York Observer critic Andrew Sarris, transvestite extraordinaire Mario Montez, and filmmaker Ken Jacobs) intercut Smith himself proffering condemnations of capitalism, critics and institutional-art “gatekeepers.” Jordan also delves into Smith’s tenuous relationship with Andy Warhol—who adopted Smith’s ideas and actors in his own work (including Smith’s “Superstars” concept), his vilification of New American cinema pioneer Jonas Mekas, and other previously undocumented biographical topics. From the Whitney to the Louvre, Smith is acknowledged as one of America’s most influential artists, yet his legacy remains at the edges of obscurity. Pure in his artistic pursuits, Smith smashed head-on into the politics intersecting creativity, capitalism and meaning in contemporary art. Since his 1989 death, Smith’s work has been rarely publicly displayed. Still his influence pervades contemporary art and pop-culture today. This documentary portrait pays homage to New York’s ultimate anti-hero and the original King of the Underground.