A young woman and her doctor husband are victims of a blackmail scheme when it is discovered that she was born in prison.

Jeffrey Dwyer is a writer and a poet who wrestles with the conflicts between his idealism and his passion. The two sides of his nature are personified in the women he loves: the sweetly innocent Joan Converse, and the sexy, charismatic Inez Martin.

When a mother dies of heart failure in a doctor's office, the physician--feeling somewhat guilty because he couldn't save her--takes an interest in the woman's young daughter, and makes her his ward, but his fiancé doesn't particularly like it. After he returns from a three-year engagement in Europe, the doctor discovers that his ward is now a beautiful, full-grown woman, and finds himself falling for her--even though she's engaged to his fiancé's brother.

College co-eds struggle with the moral, societal and human aspects of romance.

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?

Wealthy Mr. Kennedy shoots his secretary, Channing, during a parlor game, but it turns out the gun was loaded with real bullets. Luckily, criminologist Phillip Montrose is on hand to help the police. When Kennedy quickly ends up dead as well, the police think it's a tidy murder-suicide, but the family lawyer knows of a letter that voiced Kennedy's suspicions about someone who was out to get him. Soon, the cops are on the trail of a ruthless and clever killer who is one step ahead of even Montrose.

Five men have to prove their innocence when a blackmailer is murdered.

A chic American jewel thief falls in love with one of her marks, an English lord.

A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art-deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.