Celebrated filmmaker Deepa Mehta investigates one of India’s most notorious crimes — the 2012 gang rape and murder of a 23-year-old woman on a Delhi bus — in her angry, impassioned and essential new film.

23-year-old Nikhil comes to Canada from India to find his fortune and is convinced by his uncle to work as a companion and care-giver to Sam, an elderly Jewish man. An unlikely friendship ensues, which gives both men new insight into life.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband's temper, and her mother-in-law's controlling behaviour.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

Two women attending a women's seminar on personal development walk out in acute embarrassment during the introduction. They meet up with a woman who arrived too late to be admitted. Thrown together by chance, they discuss their emotional lives in intimate detail.

While visiting Russia on his father’s lecture tour, Indy runs off on his own and meets Leo Tolstoy. Later, on a trip to Athens, Indy and his father are forced together by circumstance when they get into a bind in the monasteries of Meteora, where they share some memorable moments.

The elder Jones's lecture tour takes parents and son to India, where Indy explores the meaning of faith in oneself with Theosophist philosopher Jiddu Krishnamurti. Then, when Indy falls victim to typhoid fever in China, his mother must have faith and trust that the villagers' ancient medicines will save him.

Jeet Johar, a proud observant Sikh and a ruthless gangster managing a team of stylish, charismatic but brutal and unforgiving young men vie to take over the Vancouver drug and arms scene in this balls-to-the-wall action drama.

A thrice-divorced radio DJ meets the woman of his dreams but can he convince her of the truth of his feelings? An exploration of love, adapted from the novel by Pulitzer prize winning author Carol Shields.

The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent's generation. A Canadian-British film adaptation of Salman Rushdie's novel of the same name.

Freda Lopez, an aspiring musician, travels with her husband to the beautiful beaches of Georgia where she befriends Camilla, an odd and exotic elderly woman who plays the violin. When the two embark on a journey together, Camilla reclaims a lost love and makes peace with herself and her son, while Freda discovers inner resources she never knew she had.

An adaptation of Shyam Selvadurai's 1994 novel Funny Boy, the film centres on the coming of age of Arjie Chelvaratnam, a young Tamil boy in Sri Lanka who is coming to terms with his homosexuality against the backdrop of the increased tensions between Tamil and Sinhalese people before the breakout of the Sri Lankan Civil War.

由加籍印裔女导演迪帕．梅塔执导，曾获芝加哥国际影展奖。因内容表现在打破传统的 “性禁锢"方面，所以公映时竟触发狂潮，成为众矢之的，导演本人亦遭受恐吓。剧情介绍新德里一个年轻美貌姑娘嫁入中产店主家庭后，因丈夫沉缅于香港功夫，并迷恋于中国艳女而受到冷落。而不育的大嫂亦因丈夫参与 “灵修"倍感寂寞，两人同病相怜遂成闺中好友，并发展成床上鸳鸯。后来东窗事发，迫使两人离家出走。该片在印度来讲，内容较为惹火，但比起香港片，似乎仍显平谈，而且剧情颇为噱头，算不上佳作。不过对女性情欲描写极为细致，有一定的文艺剧情趣味。该片还入选香港 “印度多面睇"十大印度影片。 Ashok (Kulbhushan Kharbanda) runs a family business that sells takeout food and which also has a video rental store at the side. Ashok's extended family includes his wife Radha (Shabana Azmi), his brother Jatin (Javed Jaffrey), their ailing mother Biji (Kushal Rekhi) and their manservant Mundu (Ranjit Chowdhry), all living under the same roof. Jatin, at the insistence of Ashok and their mother, Biji, agrees to marry the beautiful Sita (Nandita Das) in an arranged marriage, although he is actually in love with Julie (Alice Poon), a Chinese-Indian. At first glance, you see a happy middle-class family going through the normal paces of everyday life. However, as the layers are slowly peeled back, we find a simmering cauldron of discontent within the family, with almost every family member living a lie. Both marriages in the family turn out to be emotionally empty, without love or passion. While Ashok is an ascetic who has taken a vow of celibacy, Jatin is a handsome ladies' man who is still openly seeing Julie even after his marriage to Sita. Ashok has pledged his total devotion to a religious holy man, a swami, in order to purge his life of worldly desires and temptations. Radha, bound by her sense of duty to her husband, agrees to go along with his wishes. As you can imagine, with both husbands ignoring their spouses' emotional and sexual needs (albeit with reasons that are totally opposite from each other), it is only a matter of time before Radha and Sita look to one another for comfort and to satisfy their own passions. In this environment, it is only natural that Sita and Radha become fast friends, and, in time, much more than that. But their love is not without its share of painful obstacles.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

2005 film by Deepa Mehta