Dear Ones is an allegorical story about people who need to make real contact with their family and friends. Piotr is looking for a purpose and order in his life. To find it, he turns to magic, religion, and psychology. Unexpectedly, his father calls him and asks Piotr to come to his family home immediately. Piotr arrives at the same time with his sister, Marta, whom he hardly remembers and does not recognize. The father called for Piotr and Marta because their Mother went missing. Family members who meet for the first time after many years begin to search together. The facts they discover about their mother make them re-define what kind of family they are.

Warsaw, 1968. Students protesting against the illegal expulsion of their colleagues from university and in defence of play Dziady, directed by Kazimierz Dejmek and performed at the National Theatre, which has been taken off the bill. Among the protesting young people are also Hania and Janek. Their families are on both sides of the March barricade. Young and madly in love with each other, like in Shakespeare's Romeo and Juliet in a country in revolt, they fight for their affection. Will their love survive? Will they be able to overcome the adversities that fate throws at them?

Commissioner Franz Podolsky investigates a brutal murder and, because of the upcoming Olympic Games, the pressure is on to catch the murderer.

The action of the film begins in the 1970s – even then, the young protagonist knows that adrenaline tastes better than powdered milk. Over time, he also discovers a desire for money, power, and being above the law. A transformation begins, and his gangster talent blossoms. Together with a friend, they build their own army.

Pawlak and Kargul – the protagonists of the cult-favourite trilogy “Our Folks” – had been neighbours in a village in Podolia before they ended up in the Recovered Territories. Even then, it was one explosive neighbourhood.

夜間助產士 Mira 年屆耳順，家有丈夫和兒子，生活平淡乏味。然而有一天，她如常早早醒來晾衫， 外出買魚糧，卻走入銀行拿刀企圖行劫！積壓良久的心結此時才浮現，Mira 受困於傳統女性形象，有口說不得，身邊也沒人問她過得好不好。她為兒子和丈夫送上物質，以為這樣能夠換取愛，直至債台高築，才醒覺坦誠溝通才是愛的方法。明亮光潔的畫面 猶如 童話故事，與抑鬱的 Mira 和冷漠的社會形成強烈對比。飾演 Mira 的 Dorota Pomykala 為著名波蘭女演員，沒有歇斯底里式的爆發，含蓄內斂地演繹沉浸在絕望中的婦女。