It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Marcos Tremmer is a successful publicist who lives in Madrid, madly in love with his wife, Lucía. One day, Marcos discovers that a deadly disease will end his life in a few months.

Maximiliano is a psychiatrist who suffers from strange visions of his past. He grew up in an orphanage and then left for the big city. When his adoptive father dies, he goes back to his hometown where he will be reunited with his brothers and discover a dark family secret.

2018 film directed by Pablo Parés

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

It's one of the best films I have ever seen. The story, the acting, the blue colors in the film... it was gripping. The end was one of the most heartbreaking scene's I have ever seen. I cried a river. Very beautiful and emotional... The story is about Fermin, a man that worked as a bus driver and was a member of a workers-union in Argentina. Supposedly he's been arrested for that fact during the Military Junta and was a Missing Person for several years. And then, one day he appears naked on the streets of Buenos Aires again. Fermin suffers from amnesia. He doesn't know what has happen to him for all those missing years. But he remembers his life before his disappearance. Fermin decides to go to see the woman he was supposed to marry, before he got arrested, but she does not recognize him. The story is not about his "missing years " but about what happens when people re-appear when everybody thinks they're dead.

After his bike and money gets stolen from him, Lucio struggles to find his place in the surrounding reality of Argentina in the 1990s A slowly told story of adolescence of an outcast and a tribute to the neorealistic classics of the 1950s.

1999 film by Martín Rejtman