This deft comedy about a foiled elopement and assumed identity shows the importance of a carefully worked out scenario for narrative flow.

Tempress Vivian Marsh (Betty Bronseon) lures Tom Evans (Jack Mulhall) away from stenographer Connie Lee (Constance Cummings), the girl he really loves. Connie, on the rebound, has an affair with her married boss Yates (Jameson Thomas). Vivian, not content with her successful conquest of milquetoast Tony, decides to have a romantic liaison with Yates as well. Tony discovers her infidelity, gets a divorce, and returns to Connie, who is a bit less pure than when he abandoned her.

Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"?