1975 film by Henning Carlsen

A veteran sea captain abducts his niece for what he believes is his last chance at love. As the sad demon of the ocean Klabautermanden watches the passing of doomed ships, the niece awakens in her uncle's cabin. She makes him marry her but never allows the tyrannical captain to ever touch her. For eight years, the ship never docks as the malnourished crew wishes for death.

The late 1930s. A young enemployed, unskilled worker walks through the streets of Copenhagen, sustaining himself partly on the dole and free soup-kitchen meals and partly on day-dreams. He spends time at a cemetry studying headstone inscriptions. Mild-mannered and of poetic bent, he understands little of an intellectual friend's advice and shies away from the love of a woman who shares her bed with him.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

In 1963, forty-and-some-years old Martin (Erno Müller) arrives back in Copenhagen after several years in Africa. He has never really recovered from the traumatic experiences he made as a member of the resistance movement during the German occupation of Denmark, 1940-45. Unintended he gets in contact with a young girl who seems to be an archetype representative for the young post-war generation 1960. She is engaged in a protest movement trying to avoid both nuclear energy plants and atomic weapons on Danish soil. He falls in love with her, but the distance between their two generations is insurmountable. Rapid historical changes have raised a wall between the two of them and stands in the way for their desire and their attempts to understand one another. A reunion with old wartime comrades and the revival of an unbearable common mistake does not make it easier for Martin.

A group of women are workmates at a laundry. Rike is spreading a rumor about the manager Marta, a rumor that Marta is a lesbian and that she once tried to seduce Rike. This leads to an explosive situation at the workplace.

After having been rescued from suicide, a young man is the object of a bet by his doctor that the doctor can help him recover his joy in life. Ironically, the doctor's life is not a very happy one either, and his boast has a hollow sound. For one thing, although he seemingly has a "happy divorce," in which he, his ex-wife and her new husband are all great pals, it's not true. He wants his wife back. All sorts of complications arise out of these lies and distortions.

1966 Danish drama film directed by Henning Carlsen

To celebrate his 90th birthday, an old single journalist, Sabio, wants something special from Rosa Cabarcas’s brothel: an intense night of love with a virgin teenager. The madam finds him the ideal young woman, Delgadina, a factory worker, who is selling her virginity to support her family. When he sees Delgadina sleeping angelically, he loses interest in pure pleasure and falls in love with her. That love was not meant to be true, but fate changes, and that hope is born of an opportunity for unbridled love.