In a small Tatar village during the traditional holiday of the beginning of plowing, monks appear accompanied by soldiers. Trying to convert the local population to Orthodoxy by force, the monks and soldiers meet a tough rebuff from the locals. The wife of the peasant Bulat dies, and his son Asfan is taken away in an unknown direction.

The rich widow Madame Collie leaves the fortune to her lost niece Maria Ivanova. Two cousins of Maria go from Paris to Moscow in order to search her. They have to find a 17 year old girl with the birthmark on her right shoulder. The documents of the heiress are hidden in her doll.

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.