Cloudstreet is an Australian television drama miniseries for the Showcase subscription television channel, which first screened from 22 May 2011, in three parts. It is an adaptation of Cloudstreet, an award-winning novel by Australian author Tim Winton. It was filmed in 2010 in Perth with Matthew Saville as the director, and script written by Tim Winton and Ellen Fontana.

Paralysed from the waist down after a car crash, Julie Hill struggles to get used to her disability and to save her marriage. It looks as if her husband will leave her. Then doctors try a revolutionary treatment which feeds electrical impulses to her leg muscles - allowing her to ride a bicycle once again and so go out for bike rides with her family. Her marriage survives and she and her husband end up closer together than before.

London's Dupayne Museum is in danger of closing since one of the trustees feels that the money expended on preserving the past could be better spent addressing the problems of living people. One of the museum's collections concerns murders committed between the world wars. When a killing that reflects one of the cases on display occurs, history seems to be repeating itself.

Bob the Builder and his gang travel to a winter resort and have to help build the venues for the Bobblesberg Winter Games, since the original crew assigned the tasked gets snowed under.

After Tom Hurndall is shot in the head in Gaza, his parents Anthony and Jocelyn arrive in Israel wanting to know how it could have happened. They expect sympathy and cooperation from the Israeli authorities, but are instead met with an official explanation that fails to tally with any eye-witness accounts, and a wall of silence. When an Israeli army report attempts to whitewash the incident, the Hurndalls decide the only way to establish the truth is to launch their own investigation into the shooting, a process which brings them face to face with both the Open-Fire regulations of the Israeli army in Gaza, and the soldier who pulled the trigger.

In the Scottish village of Arberloch, Kenneth, a grieving tour guide, is devoted to preserving the legacy of the town's sole historical figure—eighteenth-century inventor Sir Douglas Weatherford. But when a fantasy series chooses Arberloch as its filming location, and the town turns its back on Weatherford in favour of fan culture, Kenneth descends into madness.

Australia, 1958. When a nine year old white girl is found murdered, police are quick to arrest illiterate Aborigine, Max Stuart. Under interrogation Max admits to the killing. With a legal system compromised by intimidation tactics, the skills of his two gifted but naïve defense lawyers are put to the test.

First-year acting student Stanley mines his girlfriend's family scandal as material for the end-of-year show at drama school. The result is a moral minefield.

The story of sisters Vicki and Beth, when Vicki begins an affair with Beth's intriguing French husband.

"Abu Nawas" is a trendy café and popular hangout for artists, communists and gay Iraqi exiles in London, it's close to the Salafist Mosque. When Nasseer, a fanatic religious youth and nephew of poet Taufiq, attacks his uncle's friends he sets into action a course of events that will turn everyone's life upside down.

Lauren和Ned订婚了，他们恋爱了，他们只有十天的时间找到Lauren的母亲，她已经在澳大利亚偏远的北方某处捣乱了，让她的父母团聚并完成他们梦寐以求的婚礼。

As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.

I saw this film by a total accident and I'm happy to have seen it. The film isn't perfect but its very good and has a nice kind of morale. Niceland is basically about a young man (or an old boy) Jet living a joyful life working at a factory with his girlfriend who he's deeply in love with and vice versa. But shortly after they decide to get married and live together happily ever after her cat, who she has a weird affection for, dies. The girlfriend falls into depression which could (strangely enough) lead to her death and the only way to give her a purpose to live and save her is to tell her the meaning of life. So Jet goes on a journey to discover the meaning of life and thats when he meets Max, a strange man living in a junkyard who claims to know the answer... Niceland is a pretty surreal film and I wouldn't necessarily call it Icelandic or even British but instead if anything I would probably call it "Nicelandic" especially because I have no idea where its supposed to happen and it felt like a new kind of style. To begin with the film was very fun and entertaining but after a while it got kinda slow but before the film reached its climax it went up hill again and I noticed it had a good point and was trying to say something (although I don't want to reveal what). Gary Lewis and Martin Compston are both very good as are the other actors. Out of ten I would give it a rating somewhere between 7.3 to 7.7 although I can't really imagine what kind of feedback it will get.

When prodigal son Alexander returns to his homeland in rural Australia, he not only brings with him beautiful English wife Deborah , but a whole lot of baggage that seems to weigh down the perception of his past. Settling into the dusty sheep station where his loyal and hardworking family have lived for generations, it is not long before the interminable flies and heat of the harsh sunburnt land get to the couple, sparking a spectacular movement of discontent. Frustrated by the arrogance and distraction of their new lodgers, Jack and Sally, take umbrage at the suggestion that they sell up the farm and move on, determined to defend their estate by any and all means possible. And when local doctor and resident playboy Max joins the mix, he instantly becomes drawn to the flirtatious Deborah, compelled to make regular house calls, raising scandalous suspicion within the otherwise conservative community.

蒂姆·温顿的小说《云街》是澳大利亚的经典小说之一。有人曾做了这样的一个比较，《云街》在澳大利亚的地位犹如乔治·奥威尔的《1984》和哈珀·李的《杀死一只知更鸟》在英美的地位。在2003年的“澳大利亚作家民意调查”（ABC/Australian Society of Authors poll）中，《云街》居于澳大利亚人最喜爱的澳大利亚作品榜首。基于《云街》在澳大利亚的经典地位，澳大利亚影秀（Australia Showtime）发起了一项改编澳大利亚经典的活动，《云街》便是此次经典改编的对象，由此《云街》由小说走向了屏幕。早在2002年“澳大利亚影秀”就开始关注对于《云街》改编的演员物色，2008年与澳大利亚最为资深的影片制作公司“屏幕时间”联手真正开始到改编《云街》的制作当中，此项改编活动被命名为“澳大利亚经典作品的影视改编”。马修·沙维尔被任命为导演，基于此前他在执导影片中屡获大奖的精彩表现。 在《云街》影视化过程中，澳大利亚影秀调配了众多电影制作的专家，从演员试镜、人物服饰、影片布景、拍摄选址等方面做了科学详尽的论证。云街不仅仅是一个街道的名字，也是小说中那个象征着澳洲大陆这个大社区的房子的名字，兰姆一家和皮克斯一家合住的居所。这所房子将温顿小说的社区意识书写的淋漓尽致。因此，在电影改编当中，这所房子的“屏幕化”占据着及其重要的地位，也是影片从头至尾的一个重要背景场所。马里（Stuart Murry）认为“与影片中的神秘的建筑相反的是，云街里的世界更加完美的呈现了人们的个体以及社区身份”。（Murry， 2003：83）温顿在云街这所房子的屏幕形象设计上和制片人格雷格·汉瑞克（Greg Haddrick）密切合作，旨在让小说的屏幕化获得最佳的艺术表现效果，这个艺术效果是温顿小说艺术影响力的延伸。云街这所房子从选址到建设过程花费了八周时间，云街这条街道就坐落在小说中提到的真实西澳附近的地域，从而这种澳大利亚风貌在影片当中得以再现。 温顿本人也积极投身于其小说的改编当中，出任电影版《云街》的剧作者。温顿一丝不苟致力于《云街》剧本语言的改写之中，这在很多作家看来是不可思议之事。小说家同意将其小说改编成电影实属常见，但是在绝大多数情况下作家本人不会充当改编剧的剧作者，作家有警惕性地与其小说改编保持一种距离，从而保护其小说这个相对封闭而又独立的艺术体的艺术性。美籍印度裔女作家裘帕·拉希丽（Jhumpa Lahiri）就曾表示她的小说《同名人》与其电影版是相互独立的艺术体。在这一论点上，温顿以一个崭新且高昂的姿态拥抱其小说与电影版作品为一个有机统一的整体。温顿的先锋姿态引人关注的，更值得评论界来品评。其举动和意蕴包含着深刻的人文精神和社会责任意识。

When Bentham DeQuetteville falls to his death from a roof after seeing a headless horseman, his aristocratic family seem more concerned about their forthcoming Civil War re-enactment than the incident. As Barnaby and Jones try to find out the truth behind the ghostly figure, their investigation uncovers shocking secrets about the DeQuettevilles.

Itinerant traveler Cassie Grant comes out of a car accident in Glastonbury, England, with partial memory loss. The deeply regretful driver allows her to convalesce at a large rural home, where she becomes friends with the woman's stepson, Michael. As Cassie delves into Michael's research about an old, newly discovered area church, it triggers some strange premonitions and offers gradual clues about her deeper links to this British community.

A charismatic, crazy hothead transforms a family's life when she becomes the nanny of five girls.

克拉丽斯·克里夫（菲比·黛内芙 饰）是20世纪20年代英国工业中区的一个活泼的年轻工厂工人。她的创造力和野心驱使她从一个工厂转到另一个工厂，而她与寡居的母亲安（凯瑞·福克斯 饰）和最小的妹妹多特（达茜·肖 饰）共同生活的家庭经济由此受到影响。她对颜色和形状的创意层出不穷，也承担着越来越多的风险，但她却能在工厂里领先一步，并以她的才华和创新打动了古怪的工厂老板（马修·古迪 饰）。 在著名艺术设计师弗莱德·里奇韦（大卫·莫瑞瑟 饰）的指导下，以及工厂老板和工厂女工的支持下，克拉丽斯设计出了前所未有的装饰艺术“Bizarre”系列。在大萧条时期，她确保了工厂的生存，也确保了她成为最伟大的装饰艺术设计师之一与家喻户晓的未来。

一位律师在查证的过程中，无意间在一名政客家中发现了另一宗政治案件的惊天证据，而他也随之陷入了这场“风暴”之中……