Ils sont jeunes, beaux, intelligents, diplômés, riches, et détestables. Une brochette d'HEC, banquiers ou investisseurs, construisent leur vie sans aucune considération pour le reste du monde. Un charmant jeune couple à qui on donnerait son numéro de carte de crédit se paie une mère porteuse pour éviter les désagréments de la grossesse et fait ami-ami avec les voisins du dessus dans la seule perspective de racheter à bas prix leur appartement.

Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man's trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints -- not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of "dark Africa" to convey what he sees in his characters.

The sequel of a successful French comedy "Rookies Run Amok" (1971) again with "Les Charlots" group.

A homeless street musician meets an attractive woman by chance and keeps following her until he persuades her to let him stay in her place.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.