In a village of heterogeneous ethnic composition (populated by Serbs and Croats), the local hunter gets wounded by an accidental shot which stirs up passion among the two communities.

Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.

The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

After WW II many young people arrive to Zagreb, among them a young worker Sonja Kacar. She is supposed to participate in the construction of the first generator in the Rade Koncar factory. Because there aren't enough experts and materials in Yugoslavia, the factory counts on help from fellow communist countries, Czechoslovakia and Soviet Union. However, after the Inform Bureau's resolution this help is no longer available. Sonja experiences a great intimate disappointment because Stjepan, who she is in love with, supports Stalin.

1941年4月6日，德、意法西斯侵略者以23个师的兵力迅速占领了南斯拉夫，6月27日南共中央决定成立南斯拉夫人民游击司令部，铁托任总司令，发动了全国规模的七月起义，并以乌日策为中心在塞尔维亚西部山区，建立了第一个解放区。南共中央和游击队最高司令部均设于此，乌日策迅速成为全国反法西斯运动的中心，被人们亲切地称为“乌日策共和国”。解放区共占地1.5万平方公里，人口约100万，建立有医院、兵工厂、后勤补给基地，成为原南地区抗击法西斯侵略的第一个根据地。指挥员波拉率领游击队在乌日策首战告捷，并且在艰苦的战争生活中与美丽的娜达姑娘产生了纯洁的爱情。后来，保皇军和德国法西斯勾结在一起，联合进攻乌日策，存在了67天的新政权被残酷地扼杀。于是，游击队又开始踏上新的战斗征程。

Woman in a Landscape (Zena sa krajolikom) (Ivica Matic, Yugoslavia , 1976) 68 m, subtitles 16 mm colour A self-taught naive painter attracts the attention of a local married woman. Their liaison upsets the balance of their community and puts them into conflict with their neighbours. A beautifully shot film with great feeling for painting and the surrounding landscape. This pastoral drama celebrates the dedication and courage of a man wholly given over to painting and art. In the story, a forestry worker (Stole Arandelovic) is transferred to a small village in Bosnia, and is seen to be constantly busy with some form of artwork. He even asks for women to model nude for him. This odd activity at first leads the suspicious villagers to attempt to torment him by desecrating his canvases, but he endures this period, marries a local woman, and dies prematurely. In an uncanny fashion, the director Ivica Matic's life mirrors this, his only film, in that he died unexpectedly in his late twenties, only a few days after the last scene was shot in 1976. It was compiled and edited for release by a group of his friends in the late 1980s.