Carla Andrews and Daniel Marx, a couple in a rocky relationship, decide to take some alone time in the Colorado mountains. After arriving, they quickly learn that they are far from solitude when Carla witnesses a murder at the hands of two cartel hit men. With the killers stalking them through the bitter cold, Carla must use her survival skills taught to her by her father to ensure she's the predator and not the prey in this bloody fight for survival. —John Prescott

Yuri, a retired special forces agent, is reluctantly forced into utilizing his old skills when his daughter, Julia, gets kidnapped by a human trafficking conglomerate just days before Christmas in Miami.

When a TV crew shoots a reality show at an abandoned mental institution, they encounter a horde of demons, leading to a bloody fight for survival.

In St. Jude, drug dealers and corrupt cops have destroyed an urban neighborhood. But newcomer, Hong, has the fighting skills and moral vision to save this town from itself.

Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo. 源自：

2022 film directed by Declan Whitebloom

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.

Two brothers, both with troubled paths, find themselves in the middle of one last bank job.