The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

The legendary Screamin’ Jay Hawkins was a great influence on many musicians and his performances were so highly provocative in their originality that even today they can be considered “revolutionary”. Screamin’ Jay Hawkins met Nicholas Triandafyllidis and commissioned him to make a documentary about his notorious life in and out of the music industry. Screaming Jay came to Greece and he gave his very last concerts in Thessaloniki and Athens, before his sudden death in Paris in 2000. Having been left a legacy of confidential sessions and footage of his final live performances, Triandafyllidis completed the film with a little help from Jay’s friends: Jim Jarmusch (director of Ghost Dog), Bo Diddley, Eric Burdon (The Animals), Rudi Protrudi, Diamanda Galas, Arthur Brown (The Crazy Word of Arthur Brown), Andre Williams and others. He remained faithful to their common vision: “A film full of positive energy, an endless source of life”.