The intricate relations between an Artist, an Actress and a Poet are seen against the background of one of the most dramatic events in the recent history of Bulgaria: uprising, which broke out in 1923.

2016 film by Vesela Kazakova, Mina Mileva

The film's motto is: "The world of the elderly is a world that is constantly shrinking. Little things become big. Few people are important to us, but they are very important." Federico Fellini.

The events of the film are related to the Civil War in Spain. This is a film about the beauty of love - exotic and tragic and the maze of human feelings.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.

In Emil Christov's über-stylish spy-movie pastiche, a charismatic schemer in an authoritarian police state, fired from his job as a secret-police informant, conjures up his own imaginary spy network and builds up an archive that he turns against his former masters.

The action takes place during the socialist period in Bulgaria. The central character, nicknamed the Cock is an artistic personality, a man of strong character known as the king of the pickpockets. His keen sense of personal freedom comes up against the universally accepted norms of behavior. The Cock likes a game, adventure and danger, while socialist society needs obedience. The Cock makes a stand against this order; he does not want to play his games according to rules. He is telling his story of two decades: his imprisonment, his love affairs. To him love is a fateful meeting of two persons and has nothing to do with Philistinism. The Cock is an amiable chap though being an adventurer, trickster, and an artist by nature, irresponsible and asocial. In the mean time he wastes his gift on virtuoso thefts and monumental banquets which regularly land him in jail. In the jail the imperfect correctional methods and the chaos reigning in his own soul induce him to betray his fellow inmates. In the end the filmmakers allow him to die a dignified death. During an escape attempt before dying he saves the life of a child. His dream of life comes to an absurd end.

In the 17th century, a Bulgarian Christian region is selected by the Ottoman rulers to serve as an example of conversion to Islam. A Janissary who was kidnapped from the village as a boy is sent to force the reluctant inhabitants to convert. The Turkish governor seeks a peaceful solution, but ultimately torture, violence, and rebellion break out.