夜半鼓声 2016年莫斯科普希金剧院版

Brecht's play revolves around Anna Balicke, whose lover (Andreas) has left to fight in World War I. Anna's parents try to convince her that he is dead and that she should forget him and marry a wealthy war-materials manufacturer, Murk. Anna agrees to this arrangement eventually, just as Andreas returns. Believing that the poor proletarian Andreas cannot provide the kind of life for Anna that the bourgeois Murk can, Anna's parents encourage her to stick to her agreement. Eventually Anna leaves Murk and her parents and, against the backdrop of the Spartacist uprising, searches for Andreas. In the final scene they are re-united; to the sound of "a white wild screaming" from the newspaper buildings above, they walk away together.

The play dramatizes many of the grievances of the Spartacists in their uprising. The soldiers returning from the front felt that they had been fighting for nothing and that what they had before they left had been stolen. Murk, the war-profiteer who did not fight and who instead made a fortune from the fighting, and who attempts to steal the soldier's fiancé, symbolizes that feeling by the working class of having been cheated.