防彈少年團，為韓國男子音樂團體，由Jin、SUGA、j-hope、RM、Jimin、V、Jung Kook七名成員組成，隸屬Big Hit娛樂經紀公司旗下，為Big Hit娛樂第一個獨立製作培養的團體，由創辦人兼音樂製作人房時爀和製作人Pdogg栽培

专辑名称：《Melody/Summer》
艺 术 家：The Tumbled Sea
音乐类型：Ambient/ Alternative
唱片公司：Self Release
发行日期：2009年
专辑语言：英语
资源整理：北岸
相关介绍：
《Melody / Summer 旋律/夏日》是来自美国马萨诸塞州波士顿的 The Tumbled Sea 下跌的海 的第二张专辑，网上有人评价说“Silence is also a Sound”，即沉默也是一种声音。专辑定位是Ambient(氛围)、Dark-ambient(黑暗氛围)、Post-rock(后摇滚)、Piano(钢琴)、Minimal(简约)。氛围的确是有，黑暗倒是不见得，简约确实很到位。不同于一般的清爽专辑的表达方式，可是夏天的味道却愈加深刻。然后多些其它元素，还好，并不显繁杂，宛如夜来香。不要怀疑曲名，确实就是这样子的，偶尔给夏天编目也不错，夏日一曲夏日二曲，还不按顺序穿插着来，因为这个夏季会不一般。

3人組バンドShe Her Her Hersが、前作「stereochrome」から約5年振りとなる3rd album「location」を12月11日にCDリリースする。
本作は中国のWeary Bird Records(Taihei Music Group)ともLabel契約し、中国本土でもデジタル/CDリリースが決定。併せて全7都市を廻る中国ツアーも決定している。
全11曲からなる本作は、シンセサウンドを全面的に導入し、前作までのオルタナ・シューゲイザーサウンドにチルウェーブ的な浮遊感が加わり、より磨かれた繊細なメロディと相まってメロウなサウンドの作品に仕上がっている。
ミックスはボーカルのタカハシヒロヤスが担当し、マスタリングにはバーニー・グランドマンで数々のタイトルを手掛けた山崎翼を起用。
また楽曲にはExecutive Adviserにuya matsumura(white white sisters)、Sax/村上大輔、Vn/原田百恵実などゲストアーティストも参加している。
アルバムアートワークはThe fin.やYogee New Wavesなどの作品に携わる写真家の小林光大が手がけている。
アパレルブランドdilemmaとコラボした「SPIRAL」、Apple musicが選ぶ2018年ベスト100に選ばれた「Foggy Moon」、アルバムの先行シングル「Law of Attraction」「Day Tripper」など全11曲が収録されている。

22, A Million is part love letter, part final resting place of two decades of searching for self-understanding like a religion. And the inner-resolution of maybe never finding that understanding. The album’s 10 poly-fi recordings are a collection of sacred moments, love’s torment and salvation, contexts of intense memories, signs that you can pin meaning onto or disregard as coincidence. If Bon Iver, Bon Iver built a habitat rooted in physical spaces, then 22, A Million is the letting go of that attachment to a place.

Taylor Swift第二支先行单曲“You Need to Clam Down”于6月15日正式发行，并且收录于个人第七张录音室大碟《LOVER》将于8月23日正式发布

碧梨Billie Eilish新单《Therefore I Am》发布。

Vespertine, released in August 2001, is an album by the Icelandic singer/songwriter/musician Björk. It sees Björk creating an introverted, quiet world of swirling microbeats and personal lyrics. On the cover she can be seen wearing the swan dress (designed by Marjan Pejoski) that caused a stir at the 2001 Academy Awards.
The album was originally released both on CD and on DVD-Audio in 2-channel (48khz/24bit) and 5.1-channel (96khz/24bit) advanced resolution. It peaked at number eight in the UK Albums Chart and at number 19 in the U.S. Billboard 200. It was also nominated for Best Alternative Album at the 2002 Grammy Awards. Recently music webzine Drowned In Sound named Vespertine the number-one album of the last six years not to garner press attention.[1] Stylus Magazine placed it 36th on their 'Top 50 Albums: 2000-2005 Vespertine was also selected as one of the 1001 Albums You Must Hear Before You Die.
The album was re-released in 2006 as a DualDisc including a lower-quality DTS 96/24 version of the original advanced resolution 5.1 mix. The DualDisc also formed part of the box set.
On August 22, 2008 Björk wrote an open letter on her official website expressing her anger at the fact that Valgeir Sigurðsson has over the years been credited with writing the instrumentals for the album. She explained that he had been only an engineer and programmer (and that she herself had produced every track on the album), and argued that part of the reason was to do with sexism in the music industry.

Japanese pressing of her debut album includes the UK bonus track, 'Play Dead' along with the Japanese only bonus track, 'Atlantic'. 13 tracks in all, including lyrics to all tracks . 1994 release.

The work of Yves Tumor moves from sultry ambient to future soul, psychedelic pop, and everything in between. His critically acclaimed l ong-player from 2016, “Serpent Music,” announced his commitment to eclecticism and cemented his position as a major force in contemporary experimental and electronic circles. Now signed to Warp he returns this year with 'Safe In The Hands Of Love'.
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Boomkat Product Review:
Yves Tumor lands on Warp with his debut album for the label; more popwise and polished than before, still pitched perfectly between the avant garde and the mass market...
"Yves Tumor makes good on the audience following astonishing singles 'Noid', 'Licking An Orchid (feat. James K)' and 'Lifetime'. Whereas each of these showed a different side to his sound, one that arguably wasn't afraid to immerse itself in the close running interests of skinny-jeans 'n' all indie, heartfelt romantic ballads and soulful RNB bangers, Yves Tumor's seeming refusal to be creatively pigeonholed is the most vital and compelling cog within his musical identity. Walking a tightrope between being on the one hand, one of the most seductive, soulful musicians of modern times, while also being a serious aficionado of harsh n0!se, as made evident with his recent years' live sets which have become something of a legendary experience/assault for each audience that has entered into the high-intensity sound-field that his on-stage presence creates.
Safe In The Hands Of Love captures each and every side of Yves Tumor's musicianship with an elegant mix of pop numbers and more experimental de-constructions. With the spirit of Danish noise/synth/punk/tekno institution Posh Isolation running through the lifeblood of the music, so much so that in a perfect bonding two of the Posh Isolation crew's finest Loke Rahbek and Frederikke Hoffmeier both appear on the album in solidarity with Yves' vision. The recordings are uncharacterizable as anything other than Yves Tumor music.
From the gothic cloak 'n' dagger cyberpunk punishment of 'Hope In Suffering (Escaping Oblivion & Overcoming Powerlessness)' featuring Oxhy & Puce Mary, through to the 'Economy of Freedom' produced with Croatian Amor and moving along with all the sludgy heaviness of a thousand broken hearts, the feelings explored upon offer a kaleidoscopic union of classic songwriting and lobotomized sound experiments. Chapters like 'Recognizing The Enemy' and 'Licking An Orchid' capture a sense of near blissful introspective blues, sounding like Yves is rushing into the deepest moments of winter while his words that are seemingly spun out of tears, begin to freeze in the cold night air. Before 'Let The Lioness In You Flow Freely' could be the Whitehouse and Steve Albini post-rock record that never materialized back in the 1990's, while 'Recognizing The Enemy' further explores the gothic soundscape rock 'n' roll (original and authentic shades, slick back and leather jacket) of 'Noid', ensuring that his stadium-sized approach to crafting earworms is well and truly represented."

Glass Animals are an English psychedelic pop band formed in Oxford in 2010. Led by singer, songwriter, and producer Dave Bayley, the group also features his childhood friends Joe Seaward, Ed Irwin-Singer and Drew MacFarlane. Bayley wrote and produced all three Glass Animals albums.

The fin. 即将在2018年3月推出时隔3年的新专辑《There》，这也是乐队移居伦敦后的首张正式专辑。新专辑在伦敦的Dean Street Studio 完成录制，更邀请到知名制作人Bradley Spence 担任后期制作，他曾是Jamiroquai、 Passenger 以及 Alt-J 等大牌乐队的制作人。
The fin. 曲风深受 The Strokes、Washed Out、Beach Fossils 等乐团影响，2014 年底发行首张正式专辑《Days With Uncertainty》，超龄的破格音乐表现，与其他日本乐团截然不同的风格特色，在日本掀起了讨论热潮。随后在2016年推出的EP 专辑《Through The Deep》更让他们风靡全亚洲。
2017年The fin. 的乐队成员移居英国伦敦，将更多的音乐创作和演出放在了英伦地区。常年活跃在各大演出舞台的The fin.迅速俘获了挑剔的英国乐迷的心。而在大洋另一端的日本，The fin. 的巡演不仅场场爆满，再次荣登Fuji Rock 的舞台，他们还担任了Mew 2017世界巡演东京站的演出嘉宾 。
2017年7月，乐队推出了全新EP ，收录了最新创作的两支单曲《Afterglow》和《Pale Blue》。EP 延续了乐队带有英伦风味的迷幻复古曲风， 一经推出就获得了无数好评。11月，The fin. 的全新单曲《Outskirts》上线，2018年的新专辑也已经蓄势待发。

"Chandelier" is a song by Australian singer-songwriter Sia Furler, scheduled to be released on 17 March 2014 as the first single from her upcoming studio album. The song was co-written by Furler and Jesse Shatkin.

2007 enhanced CD pressing of the first single pulled from her third album Good Girl Gone Bad. 'Umbrella' features Jay-Z and is another summer anthem in the vein of previous smashes 'Pon De Replay' and 'S.O.S,'. Features four versions of 'Umbrella': Radio Edit, Seamus Haji & Paul Emanuel Radio Edit, The Lindbergh Palace Remix and Enhanced Video. Mercury.

如果说当年的Dummy专集是让你在黄昏时分於幽暗斗室内享受著浪漫化的靡烂气氛的话，那么Portishead这张同名大碟就是让你置身晦黯无光的古老大屋内，感受著阵阵的诡譎寒凛与人世间的悲愴。
2097 年，在英国Bristol市的市郊位置，一间已有百多年历史的破旧大屋内被发现居住了三隻幽灵。据知，女的沉默不语但只爱唱歌，而两位男的，一个爱把弄已绝迹多时的唱盘，一个爱弹奏忧怨的蓝调爵士结他。每逢月色皎洁、寒风颯颯的晚上，这间大屋内总会传来幽悒凄厉而又哀怨魅惑的音乐，飘入城内。传说中，他们是百多年前Bristol 音乐界的巨星、Trip Hop音乐潮流的导航者，三人以Portishead为代号。
在一百年之前，即1997年，他们发表了一张充满黑白恐怖电影的苍白诡譎气氛之唱片。
假如你兴致勃勃的购买了Portishead的第二张同名大碟回家，一心以为可以像Dummy那样让你在其灯光柔和的舒适斗室内享受著阵阵靡烂颓气之际，唱片转出来的声响却猛然把你扯进一间阴风阵阵、晦黯无光、诡譎寒凛的古老大屋内，然后传来悽怨歌声--就像恐怖幽灵电影的情节那样。
在新大碟里，同样是泛著浓浓的电影感，带来已不再是昔日的间谍电影意味，而是恍如黑白恐怖片的惨白幽悒气氛。Beth的歌声时而狰狞、时而哀怨伤痛如孤魂的哭诉，连Geoff的Scratching效果也宛如咒语，加上像丧礼音乐节奏的Breakbeat或沉重的鼓击，还有鬼魅的 意境与破旧感的Old School Tech录音效果，都来得那么匪夷所思。像最先作限量十二吋发 行的一曲Cowboys，在那爵士化Hip Hop鼓击底下，电结他与Off-key键琴交织出的扑朔迷离意境、狰狞的主唱、阴森的低音，已事先示范出今次Portishead可叫人不寒而慄的梦魘式恐怖感。甚至是穿插著John Barry James Bond电影式管弦乐的细碟作All Mine，即使是碟内较易接受的一曲，但听著Beth苍白如幽灵的歌声与中段Adrian来得血淋淋的结他独奏，还有那个一派黑白Cult Film手法的音乐短片，都难掩这份教人听得心慌慌之感。

Claire Elise Boucher, known professionally as Grimes, is a Canadian musician, singer, record producer and visual artist. Born and raised in Vancouver, Grimes began releasing music independently in the late 2000s, releasing two albums, Geidi Primes and Halfaxa in 2010 on Arbutus Records.

英国双人电子流行乐队Mono的首张也是唯一一张专辑《Formica Blues》的确是天才的初试啼声——以‘Life in Mono’、‘Silicone’‘The Outsider’几首旋律流行优美的歌曲铺陈出一片伤感低迷的氛围，逐渐过渡到‘Disney Town’、‘High Life’这种情绪上似乎很轻快的作品，虽然歌词上有一种不和谐的反差，主音Siobhan De Mare的音乐影响部分来自Hooverphonic，她常能以一种漠不关心的甜美声音表达近似愤怒和黑暗的情绪。不过这张专辑的前面部分比较流行并不是很耐听；相反的，后面一些不会一听就吸引你的歌曲反而更经得起时间的考验：例如‘Playboys’中不断进化的旋律和节奏；‘Penguin Freud’中的采样和小号的运用；‘Hello, Cleverland’一首纯器乐作品，怪异中透着灵动，给这张专辑增加一些试验色彩，结尾的Life in Mono Remix版本反而更喜欢一些，不同于第一首过于流畅的缺乏挑战性的旋律（也可能听得太多了）。
在发表了这张专辑之后，Siobhan De Mare就收到了来自Robin Guthrie的邀请，共同组成了新的乐队‘Violet Indiana’，签约在解体后的Cocteau Twins的独立厂牌下，对于这样一个乐队，只发表了一张专辑多少有些遗憾。

How Big, How Blue, How Beautiful’ is the brand new album from Brit and Grammy Award winning multi-platinum selling musical artist Flore nce + The Machine. , a collection of songs, written and recorded over the past 12 months. Produced by Markus Dravs (Björk, Arcade Fire, Coldplay) the third album by Florence & The Machine is live-sounding, tune-rich, unhinged in all the right places and powerful in all the best ways. In voice and, ultimately, outlook Florence has never sounded better.
In a press release, Florence said:
I guess although I’ve always dealt in fantasy and metaphor when I came to writing, that meant the songs this time were dealing much more in reality. Ceremonials was so fixated on death and water, and the idea of escape or transcendence through death, but the new album became about trying to learn how live, and how to love in the world rather than trying to escape from it. Which is frightening because I’m not hiding behind anything but it felt like something I had to do.

bié Records 和 Yu Su 想以厂牌第一号出品 Yellow River Blue 作契机，为华人文化区域内不同背景的音乐人建立抒发个体感受的出口。
2019 年冬，这位中原生⻓又旅居海外的音乐人一路从黄海西岸的青岛游历至青藏高原最大的城市西宁；在这趟首尾对应黄河两端的巡演途中，她被中国前卫电子音乐场景和场景参与者的自由姿态深深吸引，随即思考如何以音乐创作为这个集体作出贡献。
Yellow River Blue，Yu Su 对于这段经历的开放性回应，听感流畅也暗藏情绪张力。源于自己丰富的聆听经验和对个人经历的敏锐感知，Yu Su 的音乐语言包含了超越⻛格标签和自身文化根源及所处环境的复杂意识。山水的清幽不仅仅源于她与自然的亲近关系，更是一种个人情绪外化的 “人造” ⻛景。
透过 Yu Su 拨弄的象征符号与音乐风格元素，你会清楚看到她扰乱 “内与外” “中与洋” “我与他” 边界的初心以及她温和又澄澈的自我画像 —— 于愈发混浊的湍流中泛起轻舟，以自若之势扬起一面古老的帆；Yu Su 正为自己，也为世上紊乱的风指引新的方向。