含有标签 “MilesDavis” 的结果
  • 10.0 艺术家: Miles Davis / 发行日期: 2000年8月1日

    曲目:Great Expectations Ife Recollections [*] - Miles Davis, Zawinul, Joe Trevere [*] Go Ahead John The Lonely Fire Little Blue Frog [*] Yaphet [*]

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    艺术家: Miles Davis / 发行日期: 2002年3月9日

    曲目:Bye Bye Blackbird, Pt. 1 - Miles Davis, Henderson, Ray Rollin' and Blowin' - Miles Davis, I Got Rhythm - Miles Davis, Gershwin, George Four Squared - Miles Davis, Rodgers, Richard Bye Bye Blackbird, Pt. 2 - Miles Davis, Henderson, Ray It Never Entered My Mind - Miles Davis, Rodgers, Richard Four Plus One More - Miles Davis, Davis, Miles

  • 10.0 艺术家: Miles Davis / 发行日期: 2006年9月5日

    曲目:So What Summertime Generique Stella By Starlight Fran-Dance Milestone 'Round Midnight Bye Bye Blackbird Seven Step To Heaven Time After Time E.S.P. Human Nature It's About That Time-Remix

  • 10.0 艺术家: Miles Davis Taj Mahal Roy Rogers Tim Drummond Earl Palmer Bradford Ellis / 发行日期: 1990年9月4日

    曲目:Coming to Town - Miles Davis, Tim Drummond, John Lee Hooker, , Roy Rodgers Empty Bank - Miles Davis, Tim Drummond, Taj Mahal, , Roy Rodgers Harry's Philosophy - John Lee Hooker Dolly's Arrival - Tim Drummond, Taj Mahal, , Roy Rodgers Harry and Dolly - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, Roy Rodgers Sawmill - Miles Davis, Tim Drummond, John Lee Hooker, Roy Rodgers Bank Robbery - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, , Roy Rodgers Moanin' Blues - John Lee Hooker Gloria's Story - Miles Davis, Bradford Ellis Harry Sets Up Sutton - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, Roy Rodgers Murder - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, Roy Rodgers Blackmail - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, Robert Palmer, Roy Rodgers End Credits - Miles Davis, Tim Drummond, John Lee Hooker, Taj Mahal, , Roy Rodgers

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    艺术家: Miles Davis / 流派: 爵士 / 发行日期: 2006年6月13日

    This contains two of the classic Miles Davis sessions from 1954 that made all the critics who hailed his appearance at the 1955 Newport Jazz Festival a comeback seem like a pack of Rip Van Winkles. 'Walkin' & 'Blue 'n' Boogie' are quintessential blues jams with all the pluses and none of the minuses of that genre. The solos by Davis, J.J. Johnson, Lucky Thompson, and Horace Silver are electric and the ensemble punches powerfully. OJC/Fantasy Records.

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    艺术家: Miles Davis / 流派: 爵士 / 发行日期: 2009年5月26日

    The mesmerizing follow-up to KIND OF BLUE. SKETCHES OF SPAIN by Miles Davis: Each of Miles' four orchestral album collabo­ra­tions with arranger-composer Gil Evans - Miles Ahead (1957), Porgy And Bess (1958), Sketches Of Spain (1959), and Quiet Nights (1962) - was a masterwork in its own right. Sketches was Miles' first post-Kind Of Blue project, and retains that LP's modal feel on the 16-minute version of Rodrigo's "Concierto de Aranjuez,' the inspira­tion for Davis and Evans. Liner notes for the 2009 edition of SKETCHES are written by composer academician Gunther Schuller, whose hundreds of accomplishments in jazz include playing French horn for Miles on the 1949-50 Birth Of The Cool sessions. SKETCHES was recorded in 1959 and released in 1960. This historic edition presents the original album augmented by alternate and extra tracks, illustrating how this synergy developed. "The Maids of Cádiz" (from the 1957 album Miles Ahead) is the first example of Gil Evans adapting a composition of Spanish origin for an orchestral collaboration with Miles. The live performance of "Concierto de Aranjuez," the only such ever given, took place in Carnegie Hall in 1961, offering a rare, heightened performance of this centerpiece. "Teo," (from the 1961 album Someday My Prince Will Come) a small group piece dedicated to Producer Teo Macero, is simpatico with "Solea"--the other jewel from the original album, with its orchestral palette that is, in a word, sublime.

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    艺术家: Miles Davis / 流派: 放克/灵歌/R&B / 发行日期: 2006年10月24日

    Miles Dewey Davis III was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.

  • 10.0 艺术家: Miles Davis / 发行日期: 2001年5月15日

    曲目:Now's the Time Jeru Compulsion Tempus Fugit Walkin' 'Round About Midnight Bye Bye Blackbird New Rhumba Generique Summertime So What The Pan Piper Someday My Prince Will Come My Funny Valentine E.S.P. Nefertiti Petits Machins Miles Runs The Voodoo Down Little Church Black Satin Jean Pierre Time After Time Portia

  • 10.0 艺术家: Miles Davis / 发行日期: 1999年6月8日

    曲目:E.S.P. Eighty-One Circle Gingerbread Boy Masqualero Nefertiti Riot Hand Jive (Alt. Tk. 2) Country Son (Alt. Tk.)

  • 8.0 艺术家: Miles Davis / 发行日期: 1989年9月20日

    曲目:Move Jeru Moon Dreams Venus De Milo Budo Deception God Child Boplicity Rocker Israel Rouge Darn That Dream

  • 10.0 艺术家: Miles Davis / 流派: 爵士 / 发行日期: 2021年9月24日

    曲目:- Disc 1 - 1 Perfect Way 2 New Blues 3 Human Nature 4 All Blues 5 In a Silent Way 6 It's About That Time 7 Katia - Disc 2 - 1 Dig 2 Watermelon Man 3 Penetration 4 Wrinkle 5 Footprints 6 Jean Pierre

  • 10.0 艺术家: Miles Davis / 发行日期: 2006年9月25日

    Expanded reissue of this exciting live performance at the 1949 Paris Jazz Festival, Miles' first-ever trip out of the U.S.! Features four previously unavailable tracks: 'The Squirrel', 'Crazy Rhythm', 'All The Things You Are' and 'Blues Finale' (which finds Miles jamming alongside most of the stars of the festival including Charlie Parker). Many of the cuts are appearing here for the first time on CD. 13 tracks. Jazz Factory. 2006.

  • 8.0 艺术家: Miles & John Coltrane Davis / 流派: 爵士 / 发行日期: 2018年3月23日

    The sixth volume in Legacy's Miles Davis Bootleg Series circles back to 1999's Miles Davis and John Coltrane: The Complete Columbia Recordings 1955-1961, with an exclamation point. The four discs here are taken from five concerts in March 1960: Two sets from L'Olympia in Paris, two at Stockholm's Konserthuset, and one from Copenhagen's Tivolis Koncertsal. The three-week European tour was part of the Jazz at the Philharmonic series produced by George Wein. Accounts from Davis and drummer Jimmy Cobb claim certifiable tension surrounding John Coltrane. He left the band at the end of 1959 and reportedly had to be talked (hard) into taking the gig by Davis. It was the trumpeter's first European tour as an international jazz star, and the band -- with Cobb, pianist Wynton Kelly, and bassist Paul Chambers were among the cats who recorded 1959's Kind of Blue. From the opening moments of "All of You" in the first Paris show, it's obvious that what's happening on-stage wasn't planned. It took everyone, with the possible exception of Coltrane, by surprise, and is more than 17-minutes long. The lengthy solo by the saxophonist greets the changes with dissonance, sharp angles, and a (then) atypical fury as he tries out new sounds, fingerings, and breathing techniques. Kelly brings it back inside with his own solo, light, fleet, expert, and swinging. "All of You" is followed by a blazing 13-minute "So What," offered with the illuminating contrast that would underscore the tour: The reinvention of standards from the '40s and '50s with more open, less melodic modal jazz epitomized by the Kind of Blue material. In the first version of "All Blues," Davis follows Chambers and Kelly by adding more physicality to his own playing without sacrificing his lyric invention. It foreshadows Coltrane's wailing solo full of multiphonics, honks, and banks of layered scales that wove together East and West. The short reading of the bop standard "Oleo" is the only place in either of the Paris concerts where the saxophonist reigns himself in. "All Blues" from Copenhagen is also faster. Chambers' short solo intro is picked up by Kelly's fat vamp and Cobb's stutter-step beat before Davis takes the lean melody and stretches it, opening a door for Coltrane, who commences slowly before breaking its structure wide open. Once more, it's Kelly's grooving solo with glorious right-hand flourishes that brings the hard swing back to the equation. All the music here is filled with these moments. The decision to rework the standards in order to make room for more openness was wise and all one needs to do is check the three versions of "On Green Dolphin Street" here for evidence. Interestingly, while the tour established Davis' international rep for good, it was Coltrane who benefitted most from the tour -- he was all but unknown before it, and unforgettable after. The tape sources are all official: The Copenhagen gig is remastered from a state radio broadcast and the other two concerts are from producers' archives, making this historic set among the most essential in the Bootleg Series.

  • 10.0 艺术家: Miles Davis / 流派: 爵士 / 发行日期: 2007年2月6日

    October 1956

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    艺术家: Miles Davis / 发行日期: 2001年6月29日

    专辑介绍: 若说爵士乐坛最传奇的小号手是迈尔戴维斯(Miles Davis),应该没有人会举手反对。六、七十年代,迈尔戴维斯几乎就是爵士乐坛的标竿人物,他的音乐只要一问世,就成为乐手崇拜追随的对象,形成一种爵士风潮。 1945年的Miles Davis正值十九岁的青春年华阶段,他与一般人一样在学校读书(JULIA SCHOOL茱莉亚音乐院),但他与一般人不同之处,就在于此时的他已经与爵士乐Be Bop大师Charlie Parker同台,录下这张专辑的第一首歌「Now''''''''s The Time」,这首曲子的珍贵程度可见一般,除了一方面是Miles Davis的初放爵士光芒之作,另一方面则是这时正是音乐禁令的限制刚过,所有的爵士乐手就像出了笼子的老虎,极尽所能的发挥。而专辑的最后一首歌「Portia」是Miles Davis在60岁时所灌录的(1986),这时的他虽然已经到了一个音乐演奏家的残年阶段,但似乎不甘愿就此放弃他的音乐生涯,仍致力于Harmon-Muted(用于小号上面的弱音器)的音色发展,将传统的乐器加上了电子合成乐器。 “我喜欢新鲜的东西,始终抱着每天学习的心情。对于那些走不出自己框框的乐手,我深深感到悲哀。”这就是迈尔戴维斯,一位永远追求新音乐,走在时代前端的爵士巨星。他的音乐尽管多变,他的性格始终神秘,但是对爵士乐执着的心,以及不断颠覆自我的理念,却是数年来坚持如一,这样一位爵士乐大师,相信再过七十年之后,受到乐迷怀念的程度一样会如同今日深厚,不会有丝毫减损。 作为小号手,Miles是一位非常有旋律性的独奏者,与Count Basie、Thelonious Monk一样在即兴旋律的构造上很严谨,善于自我克制。他的许多即兴独奏给人一种事先仔细加工过的印象。其次在演奏中,Miles非常擅长使用休止,有时会故意漏过一些节拍不演奏,让鼓和贝司的声音跳出来,这是种很特殊的、很戏剧化的演奏技巧。六十年代Miles Davis通过使用哈蒙弱音器,形成了一种自己特有的纤弱、精致小号音色,这种音色在1963年的专辑《Seven Steps to Heaven》以及1959年的专辑《Kind of Blue》中得以充分得体现。 虽然Miles Davis在大多数的人印象中基本是位小号演奏家,但他作为一名乐队领导者和作曲家来讲可能更具影响力一些。现代爵士史的大部分潮流和风格的兴起都与Miles Davis领导下的乐队相关。实际上,Miles Davis是具有里程碑性质的几张专辑录音的乐队领导者。如1949年的专辑《The Birth of Cool》,对西海岸风格的形成起到很大影响;1959年专辑《Kind of Blue》,标志着调式爵士的诞生;1969年的专辑《In a Silent Way》和《Bitches Brew》,对爵士和摇滚的Fusion(融合)产生重要影响。 虽说这些成果不能完全归功于Miles Davis个人,不过他确实称得上是一位最好的监工,许多现代爵士风格潮流的出现,总是与他领导的乐队有关。Miles始终那么具有开拓性,使得乐迷们都无法完整地了解他音乐生涯各个阶段的活动,不同时期Miles的音乐风格会大相径庭。Miles Davis始终睁大着双眼,在关键时刻,为他自己的乐队选择具有开拓精神的作曲家、编曲家和乐手

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    艺术家: Miles Davis / 流派: 流行 / 发行日期: 1992年4月21日

    曲目:Introduction by Mort Fega - Miles Davis, My Funny Valentine - Miles Davis, Hart, Lorenz All of You - Miles Davis, Porter, Cole Go-Go - Miles Davis, Fega, Mort Stella by Starlight - Miles Davis, Washington, Ned All Blues - Miles Davis, Davis, Miles I Thought About You - Miles Davis, Mercer, Johnny So What - Miles Davis, Davis, Miles Walkin' - Miles Davis, Carpenter, Richard Joshua - Miles Davis, Feldman, Victor Go-Go - Miles Davis, Fega, Mort Four - Miles Davis, Davis, Miles Seven Steps to Heaven - Miles Davis, Davis, Miles There Is No Greater Love - Miles Davis, Jones, Isham Go-Go - Miles Davis, Fega, Mort

  • 8.7 艺术家: Miles Davis & John Coltrane / 流派: 爵士 / 发行日期: 2001年1月1日

    Full title The Best of Miles Davis and John Coltrane 1955-1961. Japanese edition of 2001 compilation includes one exclusive bonus track 'Stella By Stars'.

  • 9.0 艺术家: Miles Davis / 流派: 爵士 / 发行日期: 1997年9月23日

    曲目:Springsville The Maids Of Cadiz The Duke My Ship Miles Ahead Blues For Pablo New Rhumba The Meaning Of The Blues Lament I Don't Wanna Be Kissed (By Anyone But You) Springsville (Remake Take 7) Blues For Pablo (Take 1) Medley (Rehearsal): The Meaning Of The Blues/Lament I Don't Wanna Be Kissed (By Anyone But You)

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    艺术家: Miles Davis / 流派: 爵士 / 发行日期: 1965年1月1日

    曲目:If I Were a Bell - Miles Davis, Loesser, Frank Stella by Starlight - Miles Davis, Washington, Ned Walkin' - Miles Davis, Carpenter, Richard I Fall in Love Too Easily - Miles Davis, Cahn, Sammy The Theme - Miles Davis, Davis, Miles My Funny Valentine - Miles Davis, Hart, Lorenz Four - Miles Davis, Davis, Miles When I Fall in Love - Miles Davis, Heyman, Edward Agitation - Miles Davis, Davis, Miles 'Round About Midnight - Miles Davis, Hanighen, Bernie Milestones - Miles Davis, Davis, Miles The Theme - Miles Davis, Davis, Miles All of You - Miles Davis, Porter, Cole Oleo - Miles Davis, Rollins, Sonny I Fall in Love Too Easily - Miles Davis, Cahn, Sammy No Blues - Miles Davis, Davis, Miles I Thought About You - Miles Davis, Mercer, Johnny The Theme - Miles Davis, Davis, Miles If I Were a Bell - Miles Davis, Loesser, Frank Stella by Starlight - Miles Davis, Washington, Ned Walkin' - Miles Davis, Carpenter, Richard I Fall in Love Too Easily - Miles Davis, Cahn, Sammy The Theme - Miles Davis, Davis, Miles All of You - Miles Davis, Porter, Cole Agitation - Miles Davis, Davis, Miles My Funny Valentine - Miles Davis, Hart, Lorenz On Green Dolphin Street - Miles Davis, Kaper, Bronislaw So What - Miles Davis, Davis, Miles The Theme - Miles Davis, Davis, Miles When I Fall in Love - Miles Davis, Heyman, Edward Milestones - Miles Davis, Davis, Miles I Fall in Love Too Easily - Miles Davis, Cahn, Sammy No Blues - Miles Davis, Davis, Miles The Theme - Miles Davis, Davis, Miles Stella by Starlight - Miles Davis, Washington, Ned All Blues - Miles Davis, Davis, Miles Yesterdays - Miles Davis, Harbach, Otto The Theme - Miles Davis, Davis, Miles

  • 6.8 艺术家: Miles Davis / 流派: 爵士 / 发行日期: 2019年9月6日

    Miles Davis shocked the music world in 1985 when he left Columbia Records after 30 years to join Warner Bros. Records. In October of th at year, he began recording the album Rubberband in Los Angeles at Ameraycan Studios with producers Randy Hall and Zane Giles. The musical direction Davis was taking during the sessions marked a radical departure, with the inclusion of funk and soul grooves; with plans to feature guest vocalists Al Jarreau and Chaka Khan. Eventually, the album was shelved and Davis went on to record Tutu, leaving the Rubberband songs unheard and untouched for over 30 years. Recorded 1985 Studio Ameraycan Studios Utopia Studios (new recordings) The Village (Ledisi Lalah Hathaway, Isaiah Sharkey, and Vince Wilburn, Jr.) Dot's Way Recorders (Munyungo Jackson and Vince Wilburn, Jr.) Miles Davis – trumpet, keyboards, synthesizers, bandleader Additional musicians Randy Hall – on "I Love What We Make Together", production on 1985 sessions Lalah Hathaway – vocals on "So Emotional" Ledisi – vocals on "Rubberband of Life" Mike Stern – lead guitar on “Rubberband Technical personnel Zane Giles – production on 1985 sessions Vince Wilburn, Jr. – production for 2019 release