含有标签 “pop” 的结果
  • 8.7 艺术家: 陈绮贞 / 流派: 流行 / 发行日期: 2000年1月1日

    这张的音乐风格较上一张丰富许多,除加了BOSSA NOVA、摇滚与节奏性外,还尝试了略带电子实验味道的歌曲,如『等待』和『午餐的约会』, 以及绮贞最擅长的气质内敛歌曲『温室花朵』和『灵感』,至于『下午三点』 则为杨千桦最新专辑中的畅销热门歌曲。整体来说,这些新的尝试都让绮贞的民谣风更多元化,绮贞的民谣早已跨越了传统民谣的界线,成为清新明亮的更具个人色彩的专辑。加上第一张制作人 林暐哲的重点捉刀和最擅长优美弦乐的王治平和李欣芸两人共同加分,这张专辑的强度显而易见,成为聆听度高耐听又兼具流行的音乐专辑。 专辑中的每一首歌曲都有中文和英文歌名,通常两个歌名涵义完全不同,分别代表她创作那首歌曲的头尾精神;歌名听起来简单,歌词意境却往往相反,所提共的想象空间充分展露她哲学性思考的一面。如『温室花朵』这首歌曲,歌词中却写到:我是一朵带刺的玫瑰;非常引人好奇。主打歌曲『还是会寂寞』初听歌名似乎形容寂寞的心情,但细听下去才知她是提醒对方和她勇敢走下去的故事,如歌词中写到别对我小心翼翼,别让我看轻你,再再表达年轻人的特殊思考逻辑。 这张专辑『还是会寂寞』在网络上试播时已获得了广大的回响,其中有几首歌曲在魔岩的校园巡回演唱会中绮贞也有表演。无论是网络族和学生,绮贞的爱戴者都热情和始终地支持,绮贞正慢慢一步步的朝自己的理想迈进。将来的她,也许主持广播音乐节目,也许出书,但无庸置疑的,陈绮贞是一定会在音乐上继续努力。 有人说:听了她的音乐就像是喝了一杯气泡矿泉水,舒服畅快,最后还不小心打了个嗝;也以有人说她的歌声如同轻缓的微风拂过,棕梠树沙沙作响,你还可以看见白云睡歪了东边。 制作人说:在第二段的第三音节,你会听见耳边嗓音的换气、在尾奏的转折,你感觉到毛孔正在呼吸;资深唱片企划说:这是一张充满想像的唱片,每听一首,你会发觉故事才正要开始,不敢轻易离去;听完她的歌,你会感觉到微笑的人儿在远方招手,倾听着来自耳边诚挚的呼唤。 这张最新专辑十一首歌曲全部由陈绮贞个人创作,其中主打歌曲‘还是会寂寞’有两个版本, 一为抒情版,一为弦乐版;经绮贞演绎后变成听觉上的双重享受。音乐风格较上一张丰富许多,除加了BOSSA NOVA、摇滚与节奏性外,还尝试了略带电子实验味道的歌曲,如‘等待’和‘午餐的约会’,以及绮贞最擅长的气质内敛歌曲‘温室花朵’和‘灵感’,至于‘下午三点’则为杨千桦最新专辑《冬天的故事》中的畅销热门歌曲。 整体来说,这些新的尝试都让绮贞的民谣风更多元化,绮贞的民谣早已跨越了传统民谣的界线,成为清新明亮的更具个人色彩的专辑。加上第一张制作人林暐哲的重点捉刀和最擅长优美弦乐的王治平和李欣芸两人共同加分,这张专辑的强度显而易见,成为聆听度高耐听又兼具流行的音乐专辑。 这张专辑每一首歌曲都有中文和英文歌名,通常两个歌名涵义完全不同,分别代表她创作那首歌曲的头尾精神;歌名听起来简单,歌词意境却往往相反,所提供的想像空间充份展露她哲学性思考的一面。 这是一张充满“想像”与“气质”的唱片:打破诚挚的嗓音,清新的音符在耳边回绕;一张耳朵可听的文章,眼睛可看的音乐,她的音乐有副作用,初听就如喝茶般舒服,听久了却无法戒掉,可怕的是会上瘾。真正属于年轻世代的新轻音乐伴奏国语流行专辑。

  • 6.7 艺术家: Lorde / 流派: 流行 / 发行日期: 2021年8月20日

    2013年,16岁,首专《Pure Heroine / 天生英雌》一举成名,震撼流行乐坛; 2017年,20岁,二专《Melodrama / 狂想曲》口碑佳作,乐评一致好评; 2021年,24岁,三专《Solar Power / 太阳能》自省沉淀,续写崭新传奇; 新西兰音乐创作才女Lorde万众期待的第三张录音室专辑《Solar Power》于今日与大家见面,共收录先行单曲《Solar Power》《Stoned at the Nail Salon》《Mood Ring》等在内的12首单曲,实体版加曲《Helen Of Troy》《Hold No Grudge》。新专辑力邀格莱美金牌制作人Jack Antonoff操刀制作,为其保驾护航。 这张受到自然启发,从中汲取创作灵感的专辑呈现出她朴素自然的生活状态,在经历了神奇的人生旅程之后,她关掉社交账号,回到新西兰北岛的城市奥克兰,这里被绿荫和大海环绕,有沙滩,明媚阳光,亲朋好友,她的温馨小家,然后遛狗,烘焙,做美甲瑜伽,以邮件形式与歌迷朋友分享生活碎片,享受着安静平和的点滴瞬间。她总能在不安与焦躁的世界里保持独到的清醒意识,在名利与欲望中找寻生活的平衡,回归至心之所向。 As she explains herself; "The album is a celebration of the natural world, an attempt at immortalising the deep, transcendent feelings I have when I’m outdoors. In times of heartache, grief, deep love, or confusion, I look to the natural world for answers. I’ve learnt to breathe out, and tune in. This is what came through." + Available as a very Marbled Orange Vinyl pressing (One per customer). + Available as a 'Discless Carbon Positive Format' - 100% Biodegradable Hard Eco Box. Hi-Res Album Download with Bonus Tracks + Access to Exclusive Content. Fold-Out Poster. 32 Page Booklet. Limited 4 Card Set. To honor the natural world the artist is presenting the album in a first-of-its kind, discless format. An eco-conscious Music Box will be available for purchase as an alternative to a CD. This innovative offering will contain extra visual content, handwritten notes, exclusive photos, and a download card. The card will give purchasers a high-quality download of the music, two exclusive bonus tracks, and access to some special surprises along the way. “Solar Power” arrived with a new music video co-directed by Lorde and previous collaborator Joel Kefali. The song was co-written and co-produced with Jack Antonoff. Phoebe Bridgers and Clairo provided backing vocals on the song. Such Movin' on Up vibes. When talking more about the concept Lorde says, “I decided early on in the process of making this album that I also wanted to create an environmentally kind, forward-thinking alternative to the CD. I wanted this Music Box product to be similar in size, shape and price to a CD, to live alongside it in a retail environment, but be something which stands apart and that’s committed to the evolving nature of a modern album.”

  • 10.0 艺术家: 堂本剛 Tsuyoshi Domoto / 流派: 流行 / 发行日期: 2004年8月18日

    Japan exclusive pressing of Tsuyoshi Domoto's (KinKi Kids) 2nd solo album. Contains 16 songs including 1 bonus track not included in the limited edition. 14-page booklet also included.

  • 9.7 艺术家: Tsuyoshi Domoto 堂本刚 / 流派: 流行 / 发行日期: 2002年8月7日

    The first solo album for vocalist with popular Japanese pop act Kinki Kids. The majority of the songs were penned (both music & lyrics) by the artist himself. The initial-press-only limited edition includes a bonus (CD-sleeve sized) 'pet film' illustrated

  • 7.5 艺术家: 苏慧伦 / 流派: 流行 / 发行日期: 1996年12月27日

    过去,你记得什么样的苏慧伦?现在,你会听见什么样的苏慧伦?在苏慧伦专辑《鸭子》里,你将听到这张专辑所要呈现的并不是一个刻意求新的苏慧伦,而是用简洁有力的方式去表现你所不知道的苏慧伦。在这10首歌里,有你印象中的熟悉,也有你看到的蜕变,97乐坛趋势大预言:“鸭倒群雄”、“强力鸭片”!每个人都是天后只有苏慧伦才是真正的“全天后”,10首新鲜惊奇主打歌!给你耳目一新的感觉! 时间,改变了很多事很多人,从女孩变成女人,从深爱变成爱过,从巅峰到沉寂,从天真到世故。你经历过多少事?又爱过多少人?

  • 9.6 艺术家: ENDLICHERI☆ENDLICHERI / 发行日期: 2006年3月1日

  • 8.0 艺术家: サカナクション / 发行日期: 2009年3月4日

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    导演: Chris Cowey , Arch Dyson , Keith Hobelman , Stuart McDonald , Tony Gregory / 类型: Music /

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    / 2010年9月 / Paul Lester Ph.D. Jou / 副标题: Looking for Fame

    This electrifying biography explores Stefani Germanotta's rapid rise to global stardom in the guise of the outrageous Lady Gaga. Hers has been a triumph achieved with the help of wild image-making, infectious pop hits and a teasing strand of ambiguous sexuality that has turned her into a gay icon. At heart it's the story of a unique self-made phenomenon - a Madonna for today. As an adoring fan of Freddie Mercury and David Bowie, Lady Gaga took the essence of 80s glam an reinvented it for the digital age. Commercially successful and critically accepted she shot from obscurity on Manhattan's club scene to worldwide fame in just a couple of years. This is the in-depth examination of her high-speed rise in the fame game, reported with a mix of admiration and sharp journalistic insight.

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    / 2003年4月 / Avril Lavigne / 副标题: Easy Piano

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    艺术家: 张宇

    《张宇:雨一直下》制作工程延续上一张专辑《月亮 太阳》。在美国完成音乐后期制作的部份,与席琳狄翁,玛丽亚凯莉,菲尔柯林斯,理察玛克斯,唐妮布蕾斯顿等一流艺人所合作的幕后音乐伙伴再度携手,打造世界级的音乐高品质。

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    / 2021年11月 / Kyung Hyun Kim / 副标题: Korean Popular Culture of the Twenty-First Century

    In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television, which is also known as hallyu—from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly “minor” culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity.

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    / 2009年2月 / Jürgen Döring(ED) / 副标题: Roy Lichtenstein. Plakate/Posters

    This collection of sixty-eight full-color reproductions is the first book to focus solely on Roy Lichtenstein's masterful Pop Art posters dating from 1960 to 1997. Roy Lichtenstein’s art is most recognizable for its trademark Benday dots and two-dimensional planes, cartoon-like qualities that placed him at the forefront of the American Pop Art scene. With its heavy emphasis on America’s consumer culture, Lichtenstein’s style lends itself easily to the poster genre. This volume opens with his earliest poster, designed for his first exhibition at the Leo Castelli gallery in 1962, and closes with his last, which he completed in the year of his death. An additional section features reproductions from the Claus van der Osten collection and includes posters and flyers that were produced all over the world using Lichtenstein’s iconic motifs. The works reflect Lichtenstein’s prolific imagination and ability to adapt his vision to the promotion of music and film festivals, theatrical performances, museums, restaurants, public service messages, as well as his own exhibitions. An essay by Jürgen Döring, curator of the exhibit for which this volume was created, expounds upon

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