"The Double EP: A Sea Of Split Peas" is a collection of Courtney Barnett's two EPs "I've Got A Friend Called Emily Ferris" (2012) and "How To Carve A Carrot Into A Rose" (2013)

Sketches of Brunswick East is the eleventh studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, and the third by Mild High Club. The album title is a reference to the Melbourne suburb of Brunswick East and Miles Davis' album Sketches of Spain. It was released on 18 August 2017 by Flightless Records in Australia, ATO Records in the United States, and Heavenly Recordings in the United Kingdom. It is the third of five albums set to be released in 2017.
The album is a collaboration with Mild High Club, and is prominently jazz-based.
Background and conception
The album was conceived just after the release of Flying Microtonal Banana and the completion of Murder of the Universe, the band's first and second releases in 2017. At that point, ideas for the next three albums were discussed, with one (presumably Sketches of Brunswick East) said to be in a "state of coming together," while the other two were "sort of distant at the moment."
Stu Mackenzie stated in an interview that the collaboration with Mild High Club came about because Alex Brettin, the sole member of the band, played at King Gizzard's own Gizzfest in December 2016. Afterward, Brettin stayed at Mackenzie's house for a few weeks, during which they came up with ideas that he has since described as "really, really vague." The two recorded a handful of iPhone voice memos to share with each other, which they ended up calling sketches: hence the album title. Mackenzie later stated that the album was recorded in three weeks.
The album's title was leaked in the Heavenly Recordings album biography for Murder of the Universe. The title alludes to Miles Davis' Sketches of Spain as a musical influence.
The track “Rolling Stoned” was first shown in a live performance by the Mild High Club featuring Stu Mackenzie almost two years before this album was even known to exist. The description of the video's upload on YouTube lists it as being from “their upcoming LP”, but was not present on Skiptracing - the version here is similar, almost certainly meaning it is a missing cut from that album.
The album was first played in its entirety on August 18, 2017 on a Facebook live stream. The album was then available for purchase an hour after the start of the stream.

PRODUCED BY ROBERT JOHN "MUTT" LANGE
Recorded at Roundhouse Studios,London
Recording Engineer:Mark Dearnley
Mixed at Basing Street Studios,London
Mixing Engineer:Tony Platt
Assistant Engineer:Kevin Dallimore
Remastered from the original master tapes by George Marino at Sterling Sound
All titles A.Young - M.Young - B.Scott
All titles published by J.Albert&Son(USA)Inc.(ASCAP)

AC/DC 乐队将于今年六月份参加2010年Download音乐节,对于《钢铁侠2》的电影原声音乐AC/DC 乐队并未创作任何新的歌曲,Marvel Studios(惊奇漫画公司)和Columbia Records(哥伦比亚唱片公司)达成了一项罕见的合作协议——惊奇漫画公司可以随意挑选十五首AC/DC 乐队的歌曲作为《钢铁侠2》的电影原声.这张AC/DC乐队的电影原声大碟名为《AC/DC: Iron Man 2》,共收录了AC/DC乐队从1976到2008年间的十五首经典歌曲.
另外,《钢铁侠2》将于5月7日正式在美国公映,并且 AC/DC经典曲目Shoot to Thrill重新演绎的《钢铁侠》版MV已火爆出炉,Shoot to Thrill出自AC/DC于1994年发行的《Back In Black》(回到黑暗)，被公认为是AC/DC乐队最牛的专辑，同时也位列十大重金属专辑之一。《钢铁侠2》震撼的视觉效果和激情场面与这首歌完美地融合在了一起，充满力量，就像为其量身定做一般。
AC/DC是诞生于70年代的伟大摇滚乐队，他们以强有力的和弦、听觉上的空间感和压迫感成为后人竞相模仿的对象。70年代中期，Angus和Malcolm兄弟二人成立乐队后，是Bon Scott开始把乐队的音量调大，并发明出那种摇滚史上空前的刺耳音乐。不幸的是，1980年的某天，Scott因为酗酒而死，乐队看上去面临着生死危机。乐队招募到新主唱Brian Johnson后的第一张专辑“Back in Black(黑暗中归来)”，简单的全黑封面，是为纪念Scott而做的。出乎乐队的意料之外，这张专辑获得极大成功，并最终成为整个摇滚史上最好的经典专辑之一，在任何杂志评出的摇滚史的100张最佳专辑里，都不会少了这张“Back in Black”。Brian Johnson继承了Scott的使命，继续和Young兄弟一起做着简单直接的摇滚乐，直到今天。

In Sydney, Australia, Lenka was a teen actress who trained with Cate Blanchett, thereafter landing leading roles on stage, television and indie films. A self-described 'punk-ass art school student' and vocalist/keyboardist for acclaimed indie Electronic/ambient outfit Decoder Ring. She has flung herself into two new worlds simultaneously: she's moved to California and become a solo artist. Whether channelling our long-repressed terrors ('Trouble') or long-lost innocence ('We Will Not Grow Old'), her music evokes primal emotions, unblemished by pretense or cynicism and unashamed of cracking a smile occasionally. Lenka's fresh sensibility extends to every element of her music, as the whimsical, paper art, stoimated videos she creates.'It's a mood-enhancer,' she says of her record, 'I don't like it when people are depressed. I want to cheer them up.'