Handel
cover
Harp Concertos
Douban Spotify
★ 9.7 6 ratings
Marisa Robles / The Academy of St. Martin-in-the-Fields …
release date 1990-11-10 publisher: Decca
01. Harp Concerto in B flat major, Op.4/6, HWV 294 Composed by George Frideric Handel Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown 02. Concerto for harp & orchestra in C, Op.77 Composed by Francois-Adrien Boieldieu Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown 03. Concerto for harp, 2 oboes, 2 horns & stringorchestra in A major Composed by Karl Ditters von Dittersdorf Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown 04. Work(s) unspecified theme, variations, and rondo pastorale Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown 05. Work(s) Variations for Harps Composed by George Frideric Handel Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown 06. Variations (6) on a Swiss song for piano in F major, WoO 64 Composed by Ludwig van Beethoven Performed by Academy of St. Martin-in-the-Fields with Marisa Robles Conducted by Iona Brown
cover
Handel
Douban
Donald Burrows publishing house: 劍橋大學出版社 1991 - 6
This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.
cover
Bach - Art of the Fugue & Handel- Suites for Harpsichord
Douban
Glenn Gould genre: Classical
release date 1988-01-01 publisher: CBS
曲目： 1.The Art of the Fugue, BWV1080: Contrapunctus 1 2.The Art of the Fugue, BWV1080: Contrapunctus 2 3.The Art of the Fugue, BWV1080: Contrapunctus 3 4.The Art of the Fugue, BWV1080: Contrapunctus 4 5.The Art of the Fugue, BWV1080: Contrapunctus 5 6.The Art of the Fugue, BWV1080: Contrapunctus 6 7.The Art of the Fugue, BWV1080: Contrapunctus 7 8.The Art of the Fugue, BWV1080: Contrapunctus 8 9.The Art of the Fugue, BWV1080: Contrapunctus 9 10.Suites for Harpsichord, No.1 in A major: 1. Prelude 11.Suites for Harpsichord, No.1 in A major: 2. Allemande 12.Suites for Harpsichord, No.1 in A major: 3. Courante 13.Suites for Harpsichord, No.1 in A major: 4. Gigue 14.Suites for Harpsichord, No.2 in F major: 1. Adagio 15.Suites for Harpsichord, No.2 in F major: 2. Allegro 16.Suites for Harpsichord, No.2 in F major: 3. Adagio 17.Suites for Harpsichord, No.2 in F major: 4. Fuga 18.Suites for Harpsichord, No.3 in D minor: 1. Prelude 19.Suites for Harpsichord, No.3 in D minor: 2. Fuga 20.Suites for Harpsichord, No.3 in D minor: 3. Allemande 21.Suites for Harpsichord, No.3 in D minor: 4. Courante 22.Suites for Harpsichord, No.3 in D minor: 5. Air, Variations & Presto 23.Suites for Harpsichord, No.4 in F minor: 1. Fuga 24.Suites for Harpsichord, No.4 in F minor: 2. Allemande 25.Suites for Harpsichord, No.4 in F minor: 3. Courante 26.Suites for Harpsichord, No.4 in F minor: 4. Sarabande 27.Suites for Harpsichord, No.4 in F minor: 5. Gigue