tracks: 9 total time: 69:24 year: 2005 genre: Classical Wolfgang Amadeus Mozart (1756-1791) The Concertos for Violin and Orchestra Disc 1: Concerto No. 2 in D major, K. 211 Concerto No. 1 in B-flat major, K. 207 Concerto No. 5 in A major, K. 219 Disc 2: Concerto No. 4 in D major, K. 218 Concerto No. 3 in G major, K. 216 Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364 Anne-Sophie Mutter, violin and conductor Yuri Bashmet, viola (K. 364) London Philharmonic Orchestra Boris Garlitsky, leader Label: Deutsche Grammophon, 2 CD, 00289 477 5925 YEAR: 2005

唱片公司: PHILIPS 唱片编号：404 590-2 BEST 50 发行时间: 1958年的录音 资源品质: CD 资源整理: 专辑简介: 日本CD时代最佳300张名片

W.A. MOZART Violin Concertos No. 1-5, Sinfonia Concertante KV 364 Thomas Zehetmair (violin); Ruth Kilius (viola); Orchestra of the 18th century / Frans Brüggen (director) Six years of recording silence comes to an end! Frans Brüggen and the Orchestra of the 18th-Century make their return in style on Glossa, a collaboration that produced all the orchestra's output between 1997 and 2002. Five new titles are planned over the next 18 months.These new live recordings originate from tours of Brazil and the Netherlands, with Thomas Zehetmair on top form and offering a lesson in boundless musicality. Playing a 1730 Stradivarius with a classical-period bow, Mozart's music sounds fresher than ever, supported by a period band that has lost nothing of its energy since its foundation back in 1981.As a distinctive extra to the complete set of violin concertos, Zehetmair and Ruth Killius engage in a superb version of the Sinfonia Concertante for violin and viola. New sumptuous design and packaging for this latest installment of Glossa's Grand Tour series. Glossa 2cds GCD921108

Amazon.com Editorial Reviews: In 1932, Menuhin was just 16 and at the very beginning of his international career when Elgar--then a grand old man in his 70s--asked the young virtuoso to record his Violin Concerto. Elgar himself conducted, and the rehearsals went so well that the composer reportedly canceled the last of them and took the young violinist out for a day at the races. The recording that resulted from this remarkable collaboration has remained a classic from the day it was issued. Elgar's conducting is typically direct and unfussy, while Menuhin really does play the pants off of what is without a doubt the longest and most tiring concerto in the romantic repertoire. Of course, the recorded sound is rather limited and no amount of audio restoration can change that, but fans of great violin playing will still find plenty to enthuse about. --David Hurwitz

帕格尼尼创作二十四首随想曲时还未够二十岁，当时他已名满欧陆。他在舞台上神乎其技的演奏，充满浪漫热情和强烈精力的音乐，结合他那副带着魔幻神秘，瘦骨嶙峋的面容，有如魔鬼般的台风，使他在任何一个城市的音乐会门票，往往在一瞬间便被抢购一空，一票难求。他所到之处，都轰动一时，形成了一股席卷欧陆的帕格尼尼的狂飙。 帕氏的24随想曲可以说是小提琴演奏史上前所未有的精品，创作于1801-1907年间，不能不说是部天才之作。里面充满双音，十度、八度、三度颤音和形形式式的泛音等技巧，把小提琴演奏技术发展到极点。甚至到

Andre Rieu is AUSTRALIA'S BIGGEST-SELLING ARTIST and his showmanship and ability to go the core of people's hearts have earned him a permanent place in the minds of Australians. For a one-stop box of his recorded catalogue, you can’t go past The 100 Most Beautiful Melodies, a 6-CD set complete with a ready-reference A-Z to help you locate your favourite André tracks in an instant.

演奏'Pop- Paganini mit dem Lagerfeldzopf'的戴维被称为'最快的小提琴手'。他演奏的世界名曲“野蜂飞舞”只用了65.26秒 ，因为演奏出这样的速度，也被人称为'飞行的小提琴家-戴维 嘉雷特'。随着戴维与汉堡爱乐乐团的首演音乐会和世界巡演的结 束。戴维有了不多的休息时间，他将回纽约陪同父母，然后回欧洲接受茱莉亚音乐学院最好的一位老师授课。戴维说：“他在努 寻找从曼哈顿地铁车门演奏的方式带到音乐厅，于是给了自己一个座右铭：只要你敢于尝试，就能够激发人们对古典音乐的兴趣 。”不管你是否怀疑过，事实都证明他是对的。Classic Romance是2009年戴维全新专辑，这张专辑可能会让一些习惯于他风格 的乐迷有些失望，不再有急速和激情，更多的是美丽与浪漫。该专辑收录了德沃夏克的'Humoreske'和马斯奈的'Meditation',巴 勃罗德萨拉沙泰的'Zigeunerweisen'，舒伯特的'Serenade'，谢尔盖·拉赫玛尼诺夫的'Vocalise'，还有完整的收录门德尔松的 E小调小提琴协奏曲。整张专辑都围绕的一个主题，那就是“浪漫古典(Classic Romance)”。