日本
公园的沙池 (2022)
にわのすなば IMDb TMDB Douban Douban
黑川幸则
actor:
カワシママリノ
/
村上由规乃
…
other title:
にわのすなば
/
GARDEN SANDBOX
…
After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
源自:
The Boy and the Heron (2023)
君たちはどう生きるか WikiData IMDb IMDb TMDB Douban Bangumi Eggplant.place Fantastika Skybridge +6Chainsaw Man (电锯人) (2022)
チェンソーマン Season 1 part of TV Series: Chainsaw Man TMDB Douban Bangumi Eggplant.place KevGa-NeoDB Eggplant.place +3占星术杀人魔法
占星術殺人事件 Douban Goodreads Open Library
(日)岛田庄司
translator:
王鹏帆
publishing house:
新星出版社
2012
- 5
other title:
占星术杀人魔法
四十年前,一桩占星术连续杀人案件轰动全日本!先是画家梅泽平吉在密室被人重击致死,接着是他早已出嫁的长女在家中被奸杀,最后甚至连与他同住的六个女儿也全部失踪。尸体陆续被发现埋在日本各地,而每个人身上都被切掉一部分!
梅泽平吉遗留的手记上写明他要依据“占星术”肢解重组六个女儿!难道他死而复活来完成幻异的艺术创作?当又没有证据与动机指向其他与本案相关的人——这可说是一桩找不到凶手的命案……
四十年后,眼见这桩诡谲至极的凶案变成邪灵的诅咒,本职占星师兼职侦探的御手洗洁却意外的得到一封告白遗书!悬宕四十年无解的奇案终于现出一线曙光,御手洗洁决定在一星期内破解这件史上最不苦思议、超大规模的占星术杀人魔法!
蓦然回首
ルックバック Google Books Douban Bangumi Goodreads
藤本タツキ
publishing house:
集英社
2021
- 09
other title:
頋
/
Look Back
…
学生新聞で4コマ漫画を連載している小学4年生の藤野。クラスメートからは絶賛を受けていたが、ある日、不登校の同級生・京本の4コマを載せたいと先生から告げられるが…!?
糖果子弹
砂糖菓子の弾丸は撃ちぬけない Douban
櫻庭一樹
translator:
黃薇嬪
publishing house:
台灣國際角川書店股份有限公司
2006
我不想變成大人--
傲慢,就知道逕自宣揚些不合理的主張、反覆著無聊的藉口,然後用一堆簡單就能夠看透的道理搪塞小孩子。
可是,我想快點變成大人--
因為自己實在太弱了、太悲慘了,手中沒有能夠戰鬥的武器。我知道再這樣下去,我會氣絕在這個小小的鎮上。
我想要真的子彈。
我沒有任何一個可以去的地方,但是我想要逃往別處。
山田渚──生活在偏僻的鄉村,只想趕快畢業、步入社會的現實主義者。
海野藻屑──主張自己是人魚的女孩子,有點不可思議的轉學生。
這樣的兩位13歲少女相遇了。
兩個人交換著彼此的想法,呼吸著相同的空氣,讓想像盡情馳騁。這全是為了生活、為了活下去──這就是這兩個人充滿青春晦暗的故事,更是一部難得的懸疑驚悚佳作。