2007 film by Richard Schenkman

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

2010 film directed by Charles Ferguson

Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home.

Dirty tricks stand to soil an ambitious young press spokesman's idealism in a cutthroat presidential campaign where 'victory' is relative.

William Hundert is a passionate and principled Classics professor who finds his tightly-controlled world shaken and inexorably altered when a new student, Sedgewick Bell, walks into his classroom. What begins as a fierce battle of wills gives way to a close student-teacher relationship, but results in a life lesson for Hundert that will still haunt him a quarter of a century later.

Two fledgling criminals kidnap a pizza delivery guy, strap a bomb to his chest, and advise him that he has mere hours to rob a bank or else...

Included as a supplement on the Criterion Collection DVD of Kicking and Screaming

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

A warlock flees from the 17th to the 20th century, with a witch-hunter in hot pursuit.

Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

Wally, a struggling playwright and actor, reluctantly agrees to catch up with his old friend Andre, a theater director who disappeared several years prior in order to travel the world. Meeting at a posh Manhattan restaurant, the two share life stories, anecdotes and philosophical musings over the course of an evening meal.

一部纪录片。 每天，成百上千封信件从美国甚至世界各地寄到约翰·马尔科维奇先生位于洛杉矶的工作室Mr. Mudd。这些信件都十分厚实，里面装着沉甸甸的手稿、打印稿或复印稿，它们的作者怀揣梦想，写一个又一个故事，然后把这些故事一股脑扔到马尔科维奇先生的工作室里，期待着一夜之间它们被搬上银幕。整个纪录片围绕着四个作者投递稿件的过程展开。 纪录片的制作者来到洛杉矶Mr. Mudd工作室，对马尔科维奇和他的同事进行采访，他们对于大量的投稿式信件表达了无奈。工作室的一名负责人说，我们只是把制作电影当做职业来干，没想更多别的事。纪录片制作者见到了那四份稿件，并请马尔科维奇一一看过。有一个剧本给了他不错的印象。影片的最后，在制作者的建议下，马尔科维奇在自己的摄影棚里给这四个故事的作者每人录制了一盘录像带，录像带的内容是马尔科维奇做主角的角色朗读。 片中马尔科维奇曾颇有些无奈地说道：”我们的办公室在好莱坞，但实际上我们差不多是局外人。你知道，我不是汤姆汉克斯，不是汤姆克鲁斯，不是丹泽尔华盛顿，不是梅尔吉布森，我不是他们中的任何一个。我意思是，上帝保佑他们，但我不是。因此我喜欢什么、我说什么好或怎么样，也许事实上好莱坞认为恰恰相反。“ 相信他是在委婉表示自己和好莱坞的格格不入。 一个很有意思的纪录片，让我们看到了圈外人的梦想和圈内人的艰辛。顺便说一句，马尔科维奇居然同意在最后来个不厌其烦的角色扮演，令人感到有些神奇，他看起来像个挺有耐心的家伙，而不像是个脾气不好的人。

After he gets out of the toilets, a man is being chased by a human-sized turd, claiming to be the man's child. "Why have you abandoned me?" is the question the turd keeps on asking. First, the man is embarrassed by the annoying presence of the turd, then he slowly accepts it alongside him...

1993 film by Robert Altman

Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the privacy of a hotel room, the unnamed pair explore the choices of the past that led them to the present.

1979 film by Woody Allen

2010 documentary film directed by Davis Guggenheim

《星期天与乔治同游公园》是音乐剧大师斯蒂芬·桑德海姆（Stephen Sondheim)的代表作之一，由其老搭档詹姆斯·拉潘（James Lapine）编剧，桑德海姆包揽词曲。该剧的故事灵感来源于法国点画派大师乔治·修拉（Georges Seurat)的名作《大碗岛上的星期天下午》。关于乔治·修拉生平的记载颇少，故事主要是虚构的。1983年七月该剧第一幕（未定稿）在外百老汇的Playwrights Horizons)试验，由著名的Mandy Patinkin及Bernadette Peters主演，后桑德海姆扩充完成全剧，于1984年5月2日在百老汇的Booth Theatre首演，主角仍是Mandy和Bernadette。百老汇首演的评价褒贬不一，但是次年该剧即获得普利策最佳戏剧奖（历史上只有七个音乐剧获得过次奖），以及托尼奖两项舞台设计类奖项（该剧的舞台光学运用具有突破意义），也获得了最佳音乐剧提名，但惜败于La Cage aux Folles。 本篇是该剧的舞台录像，为原剧组人员演出，于1985年10月21日-25日在Booth Theatre摄制。1986年2月18日在Showtime频道首播。第一幕讲述乔治·修拉为完成《大碗岛上的星期天下午》而执着艺术，最后恋人点点（Dot）离他而去的故事。第二幕讲述一百年后（1984)乔治的曾孙乔治妥协于大众观点而失去艺术灵感，来到大碗岛上参加一个官方活动，结果在其曾祖母点点的点拨下恍然大悟的故事。 该剧是桑德海姆在Merrily We Roll Along失败后的回归之作，故事中的主题依旧沉重严肃，但其台词中的幽默仍然难以掩饰，让人时常在忍俊不禁，却有感动异常。音乐上桑德海姆突出使用了主导动机手法，在和声运用上也有重大创新，其通过节奏模拟点画技巧的尝试无疑是异常成功的。第二幕剧情生硬是该剧的一大缺憾。总体而言，随着时间流逝，该剧的艺术价值愈发彰显，05年有过重要的伦敦复排版，08年有百老汇复排版。

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.