1 Atom Heart Mother: Father's Shout/Breast Milky/Mother Fore/Funky Dung Geesin, Gilmour, Mason, Waters ... 23:44 Composed by: Geesin, Gilmour, Mason, Waters, Wright 2 If Waters 4:30 3 Summer '68 Wright 5:29 4 Fat Old Sun Gilmour 5:22 5 Alan's Psychedelic Breakfast: Rise and Shine/Sunny Side Up/Morning ... Gilmour, Mason, Waters, Wright 13:00

In the Wake of Poseidon is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4. The album was recorded during a period of instability within the band owing to a fluctuating lineup. It follows a musical style and track sequence very similar to their first album, In the Court of the Crimson King. The album was well-received by contemporary critics, who commended the overall execution and production quality as an improvement over that of the band's debut, although later assessments have faulted its heavy reliance on the template established by its predecessor.

Radiohead永遠今人著迷的年代，在OK Computer後开始了)。

Back to Black is the second studio album by English singer-songwriter Amy Winehouse, released in October 2006 on Island Records. The album has spawned a number of singles such as "Rehab", "You Know I'm No Good", "Back to Black", "Tears Dry on Their Own", and "Love Is a Losing Game". Back to Black has received universal critical acclaim, and has been praised for its classic jazz/soul vibe, "vintage production style", accomplished songwriting, and Winehouse's mature and emotive singing style. It has appeared on numerous year-end Top Ten Lists produced by The Austin Chronicle, Billboard Magazine, Blender Magazine, Slant Magazine, Entertainment Weekly, The New York Times and Time Magazine. At the 50th Annual Grammy Awards ceremony, Back to Black won five awards, tying the record (with Lauryn Hill, Norah Jones, Alicia Keys, and Beyoncé) for the most awards won by a female artist in a single ceremony. The album won Best Pop Vocal Album, and Best Female Pop Vocal Performance, Song of the Year and Record of the Year for "Rehab"; Winehouse also won Best New Artist.

‘How To Be A Human Being’ is a scrapbook of the bands time spent on the road, gathering memories and perceptions of different types of people from all around the world. Unveiled in mid May as Annie Mac’s Hottest Record, ‘Life Itself’, the first single from the album, has already elevated the band’s sonorous buzz to a whole new level. The track is an immersive, exotic and characteristically off-kilter earworm, reintroducing the band in the wake of their sensational ascent into a force to be reckoned with. Glass Animals’ debut ‘Zaba’, released on Paul Epworth’s label Wolf Tone, has so far sold nearly half a million copies worldwide and amassed a staggering 200 million Spotify streams, obliterating all expectations simply by word of mouth. Their anomalous rise has gained the Oxford four-piece a legion of fans all over the world, including festival appearances at the likes of Falls in Australia, Coachella, Bonnaroo, Lollapalooza, Glastonbury and has resulted in the band playing 2 sold out headline shows at LA’s 2000-capacity Wiltern and NYC’s 3000-capacity Terminal 5. To those expecting another album like Zaba, this album may end up as a disappointment. Glass Animals found success on a rather unique and creative sound and continued to expand their inner-weirdness and creativity by not playing it safe, instead opting for more ambition. This approach has paid off admirably as How to Be a Human Being is more than just a collection of stories told through characters like the ones on the album’s art, but is also a showcase of the band’s talent. Taking this talent, expending as much creative energy and ridiculousness as possible while deviating from their beloved sound, the result is an album that one would be hard pressed to find a comparable output to; and that’s a fantastic dilemma.

A Momentary Lapse of Reason is the thirteenth studio album by the English progressive rock band Pink Floyd, released in the UK on 7 September 1987 by EMI and the following day in the US on Columbia. It was recorded primarily on guitarist David Gilmour's converted houseboat, Astoria.

不论中外，吉他唱作人路线有如历久不衰依然受尽青睐，近年他方的英国陆续有不少新鲜上阵的唱作型女歌手，今次有被誉为“新Amy Winehouse”的Adele。年仅19岁的Adele生於英国Tottenham，自幼受爵士乐薰陶，如Ella Fitzgerald和Etta Jame都是她陪伴她成长的“音乐老师”。早于14岁已开始作曲，及后毕业于著名表演艺术学府BRIT School，亦即于Kate Nash、Amy Winehouse和Katie Melua等人份属校友。毕业后曾跟随不少音乐人作巡演乐手，如Jamie T、Amos Lee和Keren Ann等。 07年底分别推出了两张细碟《Hometown Glory》和《Chasing Pavements》，直至本月底首张专辑《19》才上市。尽管年纪轻轻，但她的唱腔并不幼嫩，混合骚灵的技巧及具爆发力的演译，唱功不容忽视。有人认为她的声线像Dusty Springfield和Jill Scott，那略带低沉而沙哑的嗓子颇适合唱爵士和蓝调。 据她所说这张专辑是关于18至19岁年青人的爱情，是一张比较失落的唱片。但从单曲《Chasing Pavements》和《Hometown Glory》的旋律中，渗透出的成熟韵味，并非年轻爱侣的小情小爱。 《Daydreamer》中以Acoustic吉他作伴奏，刻意放轻的唱腔结合旋律流露出简朴之美。同类型的《Melt My Heart To Stone》则较具节奏感，那充满感情的演译，更为动听。 喜欢写诗的她，在写歌词的时候亦有渗进其中，尽显才情。当Amy Winehouse过著荒唐日子之时，且看她会否藉此机会攀上更高位置。

The Final Cut is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 in the United Kingdom and on 2 April in the United States through Harvest and Columbia Records. It comprises unused material from the previous Pink Floyd record, The Wall, alongside new material recorded throughout 1982. The Final Cut extends the autobiography of The Wall, concentrating on Roger Waters ' pain when his father died in World War II. Waters spins this off into a treatise on the futility of war, concentrating on the Falkland Islands, setting his blistering condemnations and scathing anger to impossibly subdued music that demands full attention.