My Generation is the debut album by the English rock band The Who, released by Brunswick in the United Kingdom in December 1965. It was released in the United States by Decca in April 1966 as The Who Sings My Generation with a different cover and a slightly different track listing.

Having a Rave Up With The Yardbirds is the second American album by English rock band The Yardbirds. Released in 1965, the album is a mix of US-only tracks, previously released singles, and material from Five Live Yardbirds. The album spent thirty-three weeks in Billboard's Top LPs chart where it reached number 53. Having a Rave Up "proved to be their most durable LP, remaining in print until 1972, longer than any other Yardbirds album on Epic".

Hoodoo Man Blues is the 1965 debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with Grammy Award-winning artist Buddy Guy. Released on LP by Delmark Records, the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions.

The Paul Butterfield Blues Band is the debut album by the Paul Butterfield Blues Band, released in 1965 on Elektra Records. It peaked at number 123 on the Billboard albums chart. In 2012, the album was ranked number 468 on Rolling Stone magazine's list of "the 500 Greatest Albums of All Time".[3] It is also ranked at number 11 on Down Beat magazine's list of the top 50 blues albums.[4]

The Magnificent Moodies is the 1965 debut album by The Moody Blues first released in the UK and the first and only album featuring their R&B lineup of guitarist Denny Laine, bassist Clint Warwick, keyboardist Mike Pinder, flute player–percussionist Ray Thomas, and drummer Graeme Edge.

Donovan Phillips Leitch is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music. He has lived in Scotland, Hertfordshire, London, California, and since at least 2008 in County Cork, Ireland, with his family.

Donovan Phillips Leitch is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music. He has lived in Scotland, Hertfordshire, London, California, and since at least 2008 in County Cork, Ireland, with his family.

Digitally remastered digipak edition of this classic 1965 album from The Beatles featuring 'Ticket To Ride', 'Help!', 'You've Got To Hide Your Love Away', 'I've Just Seen A Face', 'Yesterday' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Capitol.

Limited Edition import-only vinyl LP repressing of this album. Universal. 2007.

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.