Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader, and educator. For six decades, he has been one of the most successful small-group leaders in jazz.

Digitally remastered digipak edition of this classic 1970 album from The Beatles featuring 'The Long And Winding Road', 'Across The Universe', 'Let It Be', 'Get Back' and many more. The album has been remastered at Abbey Road Studios in London utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. Within the CD's new packaging, the booklet includes detailed historical notes along with informative recording notes. A newly produced mini-documentary on the making of the album is included as a QuickTime file on each album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere. Capitol. NOTE: Let It Be was never released in mono and is not available in The Beatles In Mono boxset.

Live Cream (also called Live Cream, Volume 1) is a live compilation album by Cream released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by Eric Clapton.

Morrison Hotel (sometimes referred to as Hard Rock Cafe from the title of the first side of the LP, whose second side is titled Morrison Hotel) is The Doors' fifth album. It was released in 1970. After their experimental work The Soft Parade was not as well received as anticipated, the group went back to basics and back to their roots. On this album, there is a slight steer toward blues, which would be fully explored by the band on their next album, L.A. Woman. The strategy worked; even though no major hit singles were drawn from the album, Morrison Hotel reestablished The Doors as favorites of the critics, peaking at #4 on the US album chart, and when they followed with L.A. Woman the next year, they were rewarded with two more US Top 20 hits. The album also became the band's highest charting studio album in the UK, where it peaked at #12.

William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time.

Remastered reissue of 1970 album (in concert), suitable for standard & 'Super Audio' CD players. Digipak.

Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound".

回想当年的Ginger Baker’s Airforce乐队横空出世，《Air Force 2》在当年大热大买的时候充满了迷幻色彩，《Air Force 2》这张作品无疑是里程碑式的作品，全碟九首作品首首精彩，此后的《I HETE ROCK’N’ROLL》又给我们带来了悦耳的旋律，此后软硬兼施就成了他们的出版模式。 《Air Force 2》专辑听上去很酷，酷噪音、酷旋律。可实际上，这种酷不过是从这张专辑开始的，他们在三四个和弦之间倒来倒去的结果在这张唱片中明显有了结果，专辑的曲目安排的非常有意思像《Sweet Wine (Ginger Baker, Janet Godfrey) 》、《Today (Ginger Baker)》都明显有意思超脱自已的音乐本质，还有，《I Don't Want To Go On Without You》这首歌在他的噪音中找到了一种新的表达方式。

Vintage was the first album recorded by Canned Heat in 1966, although it did not see actual release until 1970 under Janus Records. Produced by rhythm & blues legend, Johnny Otis and featuring Muddy Waters/Elmore James' song "Rollin' and Tumblin'" recorded with and without Alan Wilson's hard-hitting harmonica leads. These sessions have surfaced on an multiple of reissues including, Don't Forget to Boogie: Vintage Heat (2002), Vintage Canned Heat (1996), Eternal Boogie, Canned Heat In Concert, and various other releases.

Japanese reissue of the jazz act's 1970 album. MPS. 2004. Joe Pass recorded almost exclusively for American record labels during his long career, so this 1973 studio date for BASF is a rare exception. With bassist Eberhard Weber and drummer Kenny Clare's brushwork, the legendary guitarist plays a half dozen or so standards, including the gently swinging takes of "Chloe" and "Stompin' at the Savoy," a soft arrangement of Jobim's Meditation," and a very lively version of "I Love You" (also featuring solos by his rhythm section). He also improvises the tasty "Joe's Blue's," plays a light samba written by the session's recording director ("El Gento"), puts some life into the normally dull 1960's pop hit "Ode to Billy Joe" by playing it in a Latin groove, and concludes with the very familiar standard from the Count Basie songbook, "Lil' Darlin'," which he must have performed hundreds of times during his career. While his playing is rather reserved compared to his later extensive recordings for Pablo, and this release is by no means near the top of the late guitarist's considerable discography as a leader or soloist, fans of Joe Pass who manage to locate this long unavailable LP won't be disappointed. AMG

令人震撼的John Lennon的首张个人专辑，被《滚石》音乐杂志评选为历史上最伟大500张唱片之一，名列第22位。 1970年，Paul McCartney宣布甲壳虫乐队解散。同年，John Lennon发行了第一张真正的个人专辑“John Lennon/Plastic Ono Band”。其中充满了列侬对少年、青年时承受的烦恼、困惑毫无掩饰的忏悔般表白。强烈的自我也好、无所谓的一起也好。与过去告别的列侬呈现给我们的，是完全不同，却依然精彩的音乐。 为逝去的母亲而做的“Mother”，反映了他幼年失去父母的心情。满是嘲讽的“Working Class Hero”： “'A working class hero is something to be, if you want to be a hero then just follow me”，充满了对蓝领民众生活的冷酷讽刺。还有启示录一样的“God”，列侬以这首歌公开与自己的过去和以往的信仰断绝关系，毫不留情的抨击和否认了包括上帝和自己曾属的披头士乐队在内的种种事物，他唱道，“上帝是一个我们藉以度量自身痛苦的概念"，并列出了一第条他不再相信的事物的名字（幻术，易经，圣经，意式纸牌，希特勒，耶稣，肯尼迪，披头士），最终以一句"我只相信我自己/大野（Yoko）和我自己/这就是现实……"结束。

Guru Guru： Bass - Uli Trepte Drums, Voice - Mani Neumeier Guitar - Ax Genrich 有关krautrock的歪理邪说与至理名言

Cricklewood Green is the fifth album by blues rock band Ten Years After, released in 1970.

Can was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay, Irmin Schmidt, Michael Karoli, and Jaki Liebezeit.