Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Warner.

Remastered edition of the new age/art rock composer's 1973 release. Digitally remastered by Simon Heyworth (who originally co-produced 'Tubular Bells' with Oldfield and Mike Newman) using the latest technology. Artwork has been digitally restored and includes additional photos and brand new sleeve notes. 2000.

This article covers the Hawkwind album. For the UK space rock band of the same name, see the "Space Ritual (band)" article. The Space Ritual Alive in Liverpool and London Live album by Hawkwind Released May 11, 1973 Recorded December 1972 Genre Space Rock Length 86:55 (original release) Label United Artists – UAD60037/8 Producer Hawkwind Hawkwind chronology Doremi Fasol Latido (1972) Space Ritual (1973) Hall of the Mountain Grill (1974) The Space Ritual Alive in Liverpool and London is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album, reached #9 in the UK album charts and briefly dented the Billboard Top 200, peaking at #179. The album was recorded during the tour to promote their Doremi Fasol Latido album, which comprises the bulk of this set. In addition, there are new tracks ("Born To Go", "Upside Down" and "Orgone Accumulator") and the songs are interspersed by electronic and spoken pieces making this one continuous performance. Curiously, their recent hit single "Silver Machine" was excluded from the set, and only "Master of the Universe" remains from their first two albums. The Space Ritual show attempted to create a full audio-visual-cerebral experience, representing themes developed by Barney Bubbles and Robert Calvert entwining the fantasy of Starfarers in suspended animation travelling through time and space with the concept of the music of the spheres.[1] The performance featured dancers Stacia, Miss Renee and Tony Carrera, stage set by Bubbles,[2] lightshow by Liquid Len and poetry recitations by Calvert. On entering the venue, audience members were given a free programme[3] (reproduced on the 1996 remaster CD) featuring a short sci-fi story by Bubbles setting the band in a Starfarers scenario returning to Earth. The original release featured edits and overdubs, the sleeve notes explaining that "We had to cut a piece out of Brainstorm and Time We Left because they were too long", but the 1985 Space Ritual Volume 2 album contains the full unedited versions. A previously unheard edited version of "You Shouldn't Do That" (segued with an unlisted "Seeing It As You Really Are") from this concert was included on the 1976 Roadhawks compilation album, then subsequently included as a bonus track on the 1996 remaster CD. The full unedited version of the track can be found on the Hawkwind Anthology album. June 2007 saw another EMI remaster issue with different bonus tracks and DVD-audio. "Sonic Attack" had been written by sci-fi author Michael Moorcock, who often performed with the band when convenient and Calvert was unavailable. Here it is recited by Calvert and it was scheduled for single release, promotional copies being distributed in a cloth sleeve, but it never did receive a full release. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #8 in its list of "40 Cosmic Rock Albums"

Artist Yes Album Yessongs Rating Release Date May 4, 1973 Label Atlantic Time 129:16 Type Live

Brain Salad Surgery is the fourth studio album by progressive rock band Emerson, Lake & Palmer, released in 1973 and the first under their Manticore Records imprint. It fuses rock and classical themes. Greg Lake wrote the lyrics for the album with the assistance (on two tracks, "Karn Evil 9: 3rd Impression" and "Benny the Bouncer") of fellow ex-King Crimson member (and, beginning with this album, frequent ELP collaborator) Peter Sinfield. The cover art is by H. R. Giger.

The Allman Brothers Band来自乔治亚南方的Macon城。Macon（梅肯）这个城市大约7万5千人口，是一个不发达的小城。和这个小城一样，乐队有著美国南方草根阶层的豪爽。

Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released by Atlantic Records on 28 March 1973. The album title is a dedication by the band to their fans who appeared at venues they dubbed "Houses of the Holy". It was the second Led Zeppelin album to not officially be titled after the band. It was also the first of the band's albums to be composed of completely original material. It represents a musical turning point for Led Zeppelin, as they began to use more layering and production techniques in recording their songs.

介70年代风靡一时的美国南方摇滚乐队，最出名的特点是他们的吉他合奏。可惜乐队的灵魂人物Ronnie Van Zant在1977年因空难去世。乐队从此一蹶不振。这是他们的第一张专辑，专辑的名字其实就是乐队的名字Lynyrd Skynyrd，但由于这两个词没人认识（除了他们自己），所以副标题是"pronounced 'l?h-'nérd 'skin-'nérd"，解释了这两个词的发音，一般都用这个幽默的副标题来称呼这张专辑。专辑中最后一首歌曲"Free Bird"是摇滚历史上最著名的单曲之一，以精彩高难的吉他solo闻名于世（入选摇滚历史上最伟大的100首吉他solo，排第23位，还入选了滚石杂志评选的最伟大的500首歌），更要命的是他们的主音吉他不止一把，这首歌中最复杂的部分是由三把吉他一起高速?出来的，让人听了不得不叹服。本专辑在滚石杂志评出的500张历代最强专辑中排名第401位。在此发布一个增加了5首Bonus的纪念版

Japanese-only SHM-CD (Super High Material CD) pressing of this rock album. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.

Original CD pressing of the 1973 album from the British Prog icons. EMI.

在《Who's Next》之后，Townshend准备起了另一张音乐剧作品，这次他放弃了科幻故事，而推出了描写60年代时尚的专辑《Quadrophenia》。Townshend用了整个1972年来创作这部音乐剧，期间Entwhistle因不满自己在乐队的创作太少而开始了独唱事业。在1973年专辑《Quadrophenia 》上市之后，The Who开始瓦解。

Released: 23 March 1973 Recorded: January – February 1973 at Command Studios, Piccadilly, Westminster, London, England Producer: King Crimson Band Members: Robert Fripp – guitars, Mellotron, electric piano, devices John Wetton – bass, vocals, piano on "Exiles" Bill Bruford – drums, timbales, cowbell, wood block David Cross – violin, viola, Mellotron, electric piano, flute on "Exiles" Jamie Muir – percussion, drums, "allsorts" (assorted found items and sundry instruments) Additional personnel: Richard Palmer-James – lyrics Nick Ryan – engineering Tantra Designs – cover design

《Pin Ups》是一张翻唱专辑，里面的歌曲来自The Pretty Things、Them、The Yardbirds、Pink Floyd、The Mojos、The Who、The Easybeats、The Merseybeats和The Kinks。 《Pin Ups》在David Bowie的音乐生涯中起了一种“技术性”指南的作用。这张all-covers专辑溢显了他在采用多重人格和效仿各种音乐类型时令人吃惊的速度和多样性方面的能力。它还表明了Bowie那时对那个十年里剩下日子音乐气候的提前展示，标志了60年代期间那些倍受追慕的音乐风格的一种转变。 Pink Floyd“See Emily Play”迷幻的泛音和Easybeats“Friday On My Mind”车库摇滚的愤世嫉俗完美地显示了Bowie的耳朵对旋律和他的眼光对流行文化的姿态。他甚至对他已日益建立起来的影响致别。The Kinks的“Where Have All The Good Times Gone”引起了他对思忆情歌（特别是Ray Davies式的）的兴趣，而通过The Who的“Anyway, Anyhow, Anywhere”，Bowie打开了摇滚的自我。 《Pin Ups》对这个变色龙般的表演者来说还有另一个适合的作用，就是通过背叛自己的影响淡化了他异世界的形象。通过呈现Bowie为一个更现实的狂热者——而非仅仅是一个形象/类型操纵者，这张专辑把歌唱者塑造成了一个完全不同的人物，让他从自己向表演的接近中解脱出来，走出了他以往为自己创造的多重角色。

Japanese reissue of 1974 album, packaged in a limited edition miniature LP gatefold sleeve. Ricordi/BMG. 2003.

作为英国最成功且最具长久生命力的前卫摇滚乐团和迷幻音乐的较早实践者，Pink Floyd 所呈现出的那种与60年代中期污浊的摇滚乐坛形成鲜明对照的未被污染的个性，均体现在这张具有外太空概念的概念专辑中，作为他们发布的第9部专辑，[The Dark Side of the Moon]由6首歌曲加4首音乐背景效果音乐，采用不停顿的方式连续演绎，给人一气呵成的感觉。 专辑中，[Breathe]表达了一种无助的心态，[Time]则表现的是对光明虚度的追悔和对故乡的眷恋，[Money]则鞭策了金钱至上的思想。[Us And Them]是全碟旋律最优美的一首歌，歌词虽简单但内涵却很深奥，其深刻地提出了反战宣言。[Brain Damage]中通过讲述了一个行为与众不同的人，借以讽刺那些所谓的“正常人”。这个实际清醒的人为世俗所不容，只能在"月影"才能看见他，这是整张唱片的精神所在。最后的结束曲[Eclipse]在罗列了一大堆普通人经历过的事情后在结尾说到“每件事情在太阳下谐和一致，但太阳却被月亮遮蔽了”，表达出一种苍凉的哀愁和无奈。