Credits Bass, Percussion – Alex Blake (2) Drums, Percussion – Buddy Williams Electric Guitar, Acoustic Guitar – Ryo Kawasaki Engineer – Gibbs Platen Producer – Joachim-Ernst Berendt* Saxophone [Tenor And Alto] – Dave Liebman* Notes Recorded: February/March 1978, Tonstudio Zuckerfabrik, Stuttgart, Germany Made and distributed by EMI records holland bv Licensed by MPS Records GmbH Musikproduktion Schwarzwald 773 Villingen

Brian Eno's second album collaboration with Dieter Moebius and Hans-Joachim Roedelius of Cluster consists of slow-moving instrumentals full of repeated synthesizer sound patterns and sustained guitar notes in the ambient style familiar from Eno's collaborations with Robert Fripp and albums of his own, such as Discreet Music. One song, 'Broken Head,' features recited vocals by Eno, and on another, 'The Belldog,' he sings. On 'Tzima N'arki,' his vocal is turned backwards.

Ian Dury & The Blockheads were the leading figures of British New Wave and Pub-Rock. This Rockpalast-concert from 1978 covers all the highlights of the legendary Debut-Album ""New Boots & Panties!!"" (1977), including the Hits ""Wake Up And Make Love With Me"" and ""Sex And Drugs And Rock'n Roll"".

Reissue of the avant-garde German electronic/ prog legends' 1978 album for the Harvest label. Seven tracks. 1999 release.

Moody and mesmerizing, An American Prayer is an interesting album of Jim Morrison reading his poetry over the Doors' music. An American Prayer was finished by the remaining members of the Doors after Morrison's death and finally released in 1978 (it was remastered and re-released in 1995 with bonus tracks). Those familiar with the lyrics of the Doors will not be surprised, but others may be put off because Morrison is unafraid to use crude imagery and talk unabashedly about taboo topics such as sex and religion. Although many dismiss his poetry as simplistic random musings, Morrison is a gifted lyricist with a vivid imagination. The album also demonstrates how the other musicians in the band create a mood that breathes life into Morrison's dark, twisted visions. The music excerpts of "Peace Frog" and "Wasp (Texas Radio and the Big Beat)" provide a welcome air of familiarity, and the definitive live version of "Roadhouse Blues" in the middle of the album provides a nice respite from the barrage of stories and metaphors. However, An American Prayer must be listened to in one sitting to be fully appreciated, preferably at nighttime when one is alone and can devote full attention to the listening experience. This album is not for everyone, but is a must-own for Doors completists and fans of Jim Morrison's poetry.

2008 reissue of Van Halen's self-titled debut album released in 1978. It is considered to be one of the most famous debut albums. The album has sold over ten million copies in the United States alone and it is considered to be one of the most successful debuts by a hard rock band. Along with 1984, it gives Van Halen two original (not a greatest hits) albums with Diamond status in sales -- a feat achieved by only four other rock bands: The Beatles, Led Zeppelin, Pink Floyd, and Def Leppard. 11 tracks.

Remastered digipak reissue for the band's 2nd album originally released in 1978, includes 3 bonus tracks 'Adventure' (previously unissued), 'Ain't That Nothin' (single version) & 'Glory' (early version). Elektra. 2003.

Following the release of the 1977 album Animals and its accompanying "In the Flesh" tour, Pink Floyd went on hiatus, having become popular enough to support solo albums by bandmembers who were inclined to make them. Guitarist David Gilmour and keyboard player Richard Wright were. For his album, Wright assembled some of the backing musicians who had been accompanying Pink Floyd for years, in particular reed player Mel Collins and guitarist Snowy White. So it was no surprise that the resulting record, Wet Dream, sounded like outtakes from Pink Floyd sessions. Wright's keyboards had always been a major element in the Pink Floyd sound, and his singing and songwriting had also been a big part of the group's music, despite the increasing domination of Roger Waters. On Wet Dream, he was interested in providing typically slow, contemplative, keyboard-based arrangements and singing (on about every other tune) in a becalmed, echoey voice of marital discord and escape. Wright's conflict with Waters shortly would lead to his being dismissed from Pink Floyd (and then, bizarrely, hired back as a sideman), and in a sense his release of Wet Dream could be seen as an attempt to step out on his own. But the material, while pleasant enough, seemed more like music he might have written to work on with Pink Floyd if he still had as much input into the group as he had had back around the time of Dark Side of the Moon, rather than like an independent solo statement. It was hard to imagine anyone but Pink Floyd fans wanting to listen to such an album, and as it turned out not even enough of them cared, since the album sold poorly.

Magazine's music continues to be an influence in modern music today. While having roots in the punk and new-wave movements, Magazine combined elements of avant-garde and pop. Radiohead in particular draws on the lyrical style of the group, and have performed "Shot By Both Sides" in concert. What's more, Radiohead's 1995 single "Just", with its ascending guitar hook, bears a passing resemblance to "Shot By Both Sides". Former Smiths singer Morrissey, a fan and acquaintance of Devoto's, covered "A Song From Under The Floorboards" as a B-side to his 2006 single "The Youngest Was the Most Loved". "Floorboards" was covered by My Friend The Chocolate Cake on their 1994 album Brood. Half Man Half Biscuit have performed live covers of a number of Magazine songs. "The Light Pours Out Of Me", from the album Real Life, has been covered by both Peter Murphy and Ministry. Swedish punk band No Fun At All did a cover of "Shot By Both Sides" on their record "And Now For Something Completely Different". Devoto co-wrote two songs with Mansun, "Everyone Must Win" and "Railings", contributing vocals to the latter, and the band later covered "Shot By Both Sides" for John Peel.

Digitally remastered reissue of the first solo album from the Pink Floyd guitarist/vocalist, originally released in 1978. Features musical assistance from Steve Rance, Willie Wilson, Rick Wills, Mick Weaver and others. Nine tracks including 'There's No Way Out Of Here', 'Cry From The Street', 'I Can't Breathe Anymore' and more. EMI. 2006.

During the mid-'70s, the Rolling Stones remained massively popular, but their records suffered from Jagger's fascination with celebrity and Keith's worsening drug habit. By 1978, both punk and disco had swept the group off the front pages, and Some Girls was their fiery response to the younger generation. Opening with the disco-blues thump of "Miss You," Some Girls is a tough, focused, and exciting record, full of more hooks and energy than any Stones record since Exile on Main St. Even though the Stones make disco their own, they never quite take punk on their own ground. Instead, their rockers sound harder and nastier than they have in years. Using "Star Star" as a template, the Stones run through the seedy homosexual imagery of "When the Whip Comes Down," the bizarre, borderline-misogynistic vitriol of the title track, Keith's ultimate outlaw anthem, "Before They Make Me Run," and the decadent closer, "Shattered." In between, they deconstruct the Temptations' "(Just My) Imagination," unleash the devastatingly snide country parody "Far Away Eyes," and contribute "Beast of Burden," one of their very best ballads. Some Girls may not have the back-street aggression of their '60s records, or the majestic, drugged-out murk of their early-'70s work, but its brand of glitzy, decadent hard rock still makes it a definitive Stones album.