How do you top a breakthrough record like Going To Hell, with its three Number 1 Rock singles, including the Rock Single of the year? You add some soul and bluesy undertones to those already rock melodies and dark, sexy vocals … and that is Who You Selling For, the third album from The Pretty Reckless! Produced by longtime collaborator Kato Khandwala, the album is a unique collection of scorching rock tunes with soulful, bluesy undertones. Who You Selling For reveals the band's continuing evolution in songwriting, as frontwoman Taylor Momsen maintains her signature dark lyrics and raw, sexy vocals while delving deeper into elements of blues and southern rock guitar than on the band's previous albums.

入夢既入迷 恍恍惚惚 入夢既入心 小夢大半 一切的現實，都是激情的丈量。 一切的夢境，都是方向的初回。 肆無忌憚的在夢境中游走，明目張膽的在現實中上游。 陳粒 《小夢大半》 今夏最熱暑月，在萬眾期待下奮力破殼。 整張專輯全部作曲由陳粒包辦，編曲由陳粒及金曲獎最佳製作人荒井十一團隊並肩磨合。“夢境”概念一氣呵成，帶領聽者共同遊歷一場忽明忽暗的夢境。回歸到自然、樸實的編曲設計，少有花哨的元素加入，令專輯給予更貼近的聆聽感受，像是在聽者耳畔慢慢唱起。 整張專輯大部分詞作來自陳粒的歌迷創作，她稱他們為“野詞人”，在這當中，陳粒與詞人間達成了一種融合、欣賞並相互理解的創作狀態，並將她對夢境光影的理解慵懶又慢熱的表達。 《大夢》特邀曾獲兩次格萊美獎提名的“印度鼓王”——Sandeep Das加入了Tabla演奏，將整曲融入多元的風格元素，為《大夢》帶來了意想不到的蘇醒方式。 《小半》在尚未發行前，就已在「好妹妹樂隊」萬人體育場演唱會現場搶先曝光。這首單純細膩的情歌，無論是面對萬人現場，亦或是一人獨享，都撥動著身處都市情愛的切中感歎，不造作的真實心事，冷靜又期盼，輕柔內斂。 躺在床上，每一首歌舒服自然的鑽進耳朵，像是面對面的訴說，一睜眼卻又不見蹤影；靜靜的走，像是兩個人散步，無聲熟悉，莫名親近。 《芳草地》、《怪不得》、《小半》、《橋豆麻袋》拂袖開篇，緩慢進入半睡半醒間的夢境，擔憂一些生活的思索與取捨， 焦灼一些稍縱即逝的美好，徘徊著內心進退兩難的境遇，感歎著自己優雅又絲絲縈縈的溫吞，像在說故事，又像是自語的詮釋。 《任朝暮》、《無生無》、《大夢》即打開一扇深邃的門，夢裡恍惚間穿梭著無法被定格的萬物生靈，內心隱藏的自我被無限放大又消失不見，《大夢》結尾處Tabla的遞進，像是朦朧間在森林中蘇醒，宇宙萬物雖不真實卻美好安全，大風席捲，夢在當中。 《自渡》、《虛擬》、《睡吧》已是舒緩平復，常喚不醒，提琴寥寥，輕吟入眠。 為將專輯中自己的想法更大維度呈現，《小夢大半》亞洲巡演20場同步啓航。目前公佈的城市有成都、重慶、杭州、南京、武漢、昆明、廣州、天津、長沙、廈門、上海、北京、西安等。更真實直白的陳粒，更觸手可及的陳粒，只在《小夢大半》陳粒巡演。

Big Thief's music, rooted in the songs of Adrianne Lenker, paints in vivid tones "the process of harnessing pain, loss, and love, while simultaneously letting go, looking into your own eyes through someone else's, and being okay with the inevitability of death," says Adrianne. Masterpiece, Big Thief's debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne's voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks "the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they're grounded in simple things." Adrianne met her longtime musical partner, guitarist and singer, Buck Meek, in Brooklyn a few years ago, and they quickly formed a creative bond tempered by the experience of traveling and performing for months on end in old dive bars, yards, barns, and basements together. They recorded a pair of duo albums (A-Sides and B-Sides), and Adrianne showcased her songs on a solo album, Hours Were The Birds. Now, as a full rock and roll band, with Buck on guitar, Max Oleartchik on bass, and James Krivchenia on drums, they bring a steady wildness, giving the songs an even deeper layer of nostalgia. "These guys feel like a pack of wolves at my back," says Adrianne, "they make the songs howl and bark with a fierce tenderness that gives me courage." After spending last July in an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo, the resulting collection soars on what Big Thief fan Sharon Van Etten calls "...a real journey, with intelligent stories and twist-and-turn melodies."

少年不識愁滋味，為賦新詞強說愁。好似灑脫卻充滿框架，好似追求、期盼什麼卻只是不斷印證自己的可笑一般。其實就是醜奴兒自己心裡的對話與拉扯，希望能藉由歌詞的意境，讓悲傷的人看見自己的模樣，在片刻抒發後，認清自我。總體而言，文字創作的方面，我們希望以文字作為一面鏡子反面對照自我，也許表面較為負面但期盼人們依舊能意識到作為一個「人」不該遺忘的本質。